Lucky Luke - Publication History

Publication History

Both a tribute to the mythic Old West and an affectionate parody, the comics were created by the Belgian artist Morris who drew Lucky Luke from 1946 until his death in 2001. The first Lucky Luke adventure named Arizona 1880 appeared in the Almanach issue of the comics magazine Le Journal de Spirou on December 7, 1946. After several years of solitary work on the strip, Morris began a collaboration with René Goscinny who became the series' writer for a period that is considered the golden age of the series. This started with the story Des rails sur la Prairie published on August 25, 1955 in Spirou. Ending a long run of serial publications in Spirou, the series shifted to Goscinny's magazine Pilote in 1967 with the story La Diligence, subsequently leaving publisher Dupuis for Dargaud.

After the death of Goscinny in 1977, several writers have tried to fill the role of storyteller, including Vicq, Bob de Groot, Jean Léturgie and Lo Hartog Van Banda. In addition to continuing the series, Morris started the related spin-off series Rantanplan in 1987. At the 1993 Angoulême International Comics Festival, Lucky Luke was given an honorary exhibition.

After Morris' death in 2001, French artist Achdé continued drawing new Lucky Luke stories in collaboration with writer Laurent Gerra.

Lucky Luke comics have been translated into Afrikaans, Arabic, Bengali, Bosnian, Catalan, Croatian, Czech, Danish, Dutch, English, Finnish, German, Greek, Hebrew, Hungarian, Icelandic, Indonesian, Italian, Norwegian, Polish, Portuguese (both in the Brazilian and Portuguese forms), Serbian, Spanish, Swedish, Tamil, Turkish, Vietnamese and Welsh.

Read more about this topic:  Lucky Luke

Famous quotes containing the words publication and/or history:

    Of all human events, perhaps, the publication of a first volume of verses is the most insignificant; but though a matter of no moment to the world, it is still of some concern to the author.
    Herman Melville (1819–1891)

    I believe that history has shape, order, and meaning; that exceptional men, as much as economic forces, produce change; and that passé abstractions like beauty, nobility, and greatness have a shifting but continuing validity.
    Camille Paglia (b. 1947)