Louisiana State Bank Building is a building in New Orleans, Louisiana. It has also been known as the Manheim Galleries building, from a longtime tenant. It is located in the French Quarter at the downtown lake corner of Royal Street and Conti.
It was the last structure designed by nationally prominent architect Benjamin H. Latrobe, who died from yellow fever in New Orleans.
It was declared a National Historic Landmark in 1983.
Immediately, adjoining the old Louisiana State Bank Building, 409 Royal Street, is a much older structure, that for eight (8) years was the town house of Jean Blanque, once a well-known figure in old New Orleans. Merchant, lawyer, banker, and legislator.
Famous quotes containing the words louisiana state, louisiana, state, bank and/or building:
“The recent attempt to secure a charter from the State of North Dakota for a lottery company, the pending effort to obtain from the State of Louisiana a renewal of the charter of the Louisiana State Lottery, and the establishment of one or more lottery companies at Mexican towns near our border, have served the good purpose of calling public attention to an evil of vast proportions.”
—Benjamin Harrison (1833–1901)
“I saw in Louisiana a live-oak growing,
All alone stood it and the moss hung down from the branches,
Without any companion it grew there uttering joyous leaves of dark
green,
And its look, rude, unbending, lusty, made me think of myself,
But I wonder’d how it could utter joyous leaves standing alone
there without its friend near, for I knew I could not,”
—Walt Whitman (1819–1892)
“Scepticism is an ability, or mental attitude, which opposes appearances to judgments in any way whatsoever, with the result that, owing to the equipollence of the objects and reasons thus opposed we are brought firstly to a state of mental suspense and next to a state of “unperturbedness” or quietude.”
—Sextus Empiricus (2nd or 3rd cen., A.d.)
“... an adamantine island chained to the shifting bank of the Channel.”
—Christina Stead (1902–1983)
“A building is akin to dogma; it is insolent, like dogma. Whether or no it is permanent, it claims permanence, like a dogma. People ask why we have no typical architecture of the modern world, like impressionism in painting. Surely it is obviously because we have not enough dogmas; we cannot bear to see anything in the sky that is solid and enduring, anything in the sky that does not change like the clouds of the sky.”
—Gilbert Keith Chesterton (1874–1936)