Early Years in France
Malle was born into a wealthy industrialist family in Thumeries, North, France. He initially studied political science at the Sciences-Po before turning to film studies at IDHEC instead.
He worked as the co-director and cameraman to Jacques Cousteau on the Oscar and Palme d'Or-winning (at the 1956 Academy Awards and Cannes Film Festival respectively) documentary The Silent World (1956) and assisted Robert Bresson on A Man Escaped (French title: Un condamné à mort s'est échappé ou Le vent souffle où il veut, 1956) before making his first feature, Ascenseur pour l'échafaud (released in the U.K. as Lift to the Scaffold and in the U.S. originally as Frantic, later as Elevator to the Gallows) in 1957. A taut thriller featuring an original score by Miles Davis, the film made an international film star of Jeanne Moreau, at the time a leading stage actress of the state Comédie-Française. Malle was 24 years old.
Malle's The Lovers (Les Amants, 1958), which also starred Moreau, caused major controversy due to its sexual content, leading to a landmark U.S. Supreme Court case regarding the legal definition of obscenity. In Jacobellis v. Ohio, a theater owner was fined $2,500 for obscenity. The decision was eventually reversed by the higher court, which found that the film was not obscene and hence constitutionally protected. However, the court could not agree on the definition of "obscene," which caused Justice Potter Stewart to utter his "I know it when I see it" opinion, perhaps the most famous single line associated with the court.
Malle is sometimes associated with the nouvelle vague - though his work does not directly fit in or correspond to the auteurist theories that apply to the work of Godard, Truffaut, Chabrol, Rohmer, and others, and he had nothing whatsoever to do with Cahiers du cinéma, he did exemplify many of the characteristics of the movement, including using natural light, and shooting on location. His film Zazie dans le métro ("Zazie in the Metro," 1960, an adaptation of the Raymond Queneau novel) did inspire Truffaut to write an enthusiastic letter to Malle.
Other films also tackled taboo subjects: The Fire Within ("Le Feu follet", 1963) centres on a man about to commit suicide, Murmur of the Heart (1971) deals with an incestuous relationship between mother and son and Lacombe Lucien (1974), co-written with Patrick Modiano, is about collaboration with the Nazis in Vichy France in World War II. The second film earned Malle his first (of three) Academy Award nominations for "Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced."
Read more about this topic: Louis Malle
Famous quotes containing the words early years, early, years and/or france:
“Parents ... are sometimes a bit of a disappointment to their children. They don’t fulfil the promise of their early years.”
—Anthony Powell (b. 1905)
“Franklin said once in one of his inspired flights of malignity—
Early to bed and early to rise
Make a man healthy and wealth and wise.
As if it were any object to a boy to be healthy and wealthy and wise on such terms.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“To me, nothing can be more important than giving children books, It’s better to be giving books to children than drug treatment to them when they’re 15 years old. Did it ever occur to anyone that if you put nice libraries in public schools you wouldn’t have to put them in prisons?”
—Fran Lebowitz (20th century)
“I shall not bring an automobile with me. These inventions infest France almost as much as Bloomer cycling costumes, but they make a horrid racket, and are particularly objectionable. So are the Bloomers. Nothing more abominable has ever been invented. Perhaps the automobile tricycles may succeed better, but I abjure all these works of the devil.”
—Henry Brooks Adams (1838–1918)