Later Career
Having made a name in California, in 1863 Lotta left to tour the east coast where she began acting in plays such as The Old Curiosity Shop, Uncle Tom's Cabin and Little Nell and the Marchioness. With her petite size, she became a favorite for her portrayals of children. The late 1860s would see the "Lotta Polka" and "Lotta Gallup" as quite the rage in America. At age 20 she was a national star. By 1875, Lotta was touring the nation with her own theatrical company. Lotta achieved the height of her success in the 1870s and 1880s.
The 1880s saw her perennially as the highest paid actress in America, earning sums of up to $5,000 per week. Mary Ann was still managing Lotta's affairs: booking plays, finding locations, and organizing troupes of actors. When the steamer trunk became too heavy, she invested Lotta's earnings in local real estate, race horses and bonds. As well as investing, some of the money was used to support local charities and build fountains. Lotta's Fountain, the most famous of these fountains, still stands at the intersection of Market and Kearny Streets in San Francisco, and is the site of meetings every April 18 marking the anniversary of the 1906 San Francisco earthquake.
Lotta traveled abroad with Mary Ann and her brothers, where she learned French, visited museums and began painting. After her tour abroad, Lotta returned to San Francisco where she played at the California Theatre, reprising her role in Little Nell and the Marchioness by John Bowen. Having missed her while she was away, the city responded warmly to her return and treated her like their very own star.
In 1885, Lotta's mother had an 18 room summer cottage built in the Breslin Park section of Mount Arlington on the shores of Lake Hopatcong, New Jersey, which was called Attol Tryst. The house, designed by noted architect Frank Furness, stands today and in recent years has been beautifully restored. Lotta gave parties, drove horses, and pursued her painting.
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