Los Angeles, California - Culture

Culture

Los Angeles is often billed as the "Creative Capital of the World", due to the fact that one in every six of its residents works in a creative industry. According to the USC Stevens Institute for Innovation, "there are more artists, writers, filmmakers, actors, dancers and musicians living and working in Los Angeles than any other city at any time in the history of civilization."

Los Angeles is home to Hollywood, globally recognized as the epicenter of the motion picture industry. A testament to its preeminence in film, the city plays host to the annual Academy Awards, the oldest and one of the most prominent award ceremonies in the world. Finally, Los Angeles is home to the USC School of Cinematic Arts, the oldest film school in the United States.

The performing arts play a major role in Los Angeles' cultural identity. According to the USC Stevens Institute for Innovation, "there are more than 1,100 annual theatrical productions and 21 openings every week." The Los Angeles Music Center is "one of the three largest performing arts centers in the nation," with more than 1.3 million visitors per year. The Walt Disney Concert Hall, centerpiece of the Music Center, is home to the prestigious Los Angeles Philharmonic. Notable organizations such as Center Theatre Group, the Los Angeles Master Chorale, and the Los Angeles Opera are also resident companies of the Music Center. Talent is locally cultivated at premier institutions such as the Colburn School and the USC Thornton School of Music.

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Famous quotes containing the word culture:

    It is not part of a true culture to tame tigers, any more than it is to make sheep ferocious.
    Henry David Thoreau (1817–1862)

    If mass communications blend together harmoniously, and often unnoticeably, art, politics, religion, and philosophy with commercials, they bring these realms of culture to their common denominator—the commodity form. The music of the soul is also the music of salesmanship. Exchange value, not truth value, counts.
    Herbert Marcuse (1898–1979)

    A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.
    Jacques Barzun (b. 1907)