Works
Works by Lorenzo Mattielli can be found in
Vienna :
- former Palais Engelskirchner, 1711- 15 : only four Attika statues remain
- House of Count Lazansky (1714) (attributed to Mattielli) (demolished in 1895)
- former Hirschstetten Palace, 1714–1716
- Hetzendorf Palace (1716–1718)
- Harrach Palace (1720)
- Garden of the Schwarzenberg Palace (1719–1724). Especially the Ragged Old Woman with a Pig is remarkable. This statue of an ugly, grimacing hag seems to be the product of a sickly imagination. In this he predates the contorted faces of “character heads” made by the sculptor Franz Xaver Messerschmidt (1736–1783).
- Upper Belvedere (1721–1722) : hall with atlases
- Dominikanerkirche (Vienna) (1724)
- Imperial stables at the Hofburg (1724)
- Porch of the Michaelerkirche (1724)
- Karlskirche (1725–1730) : eagles on the columns, relievos at the gable end, altar
- Church of the Order of the Visitation of Holy Mary (1726) (attributed to Mattielli)
- the former Imperial Library (now the Prunksaal of the Hofburg complex) (1726)
- Reichkanzleitrakt (in the Hofburg complex) (1728–1729): the Labors of Hercules
- Nepomuk altar in the Peterskirche (1729)
- Civilian arsenal (1732)
- Fountains at the “Am Hof” and “Am Graben” squares (1732–1735)
- Old City Hall (1735) : Putti at the Andromeda fountain (1734)
- Church of the Brothers Hospitallers of St. John of God (1735/36)
- Austrian Baroquemuseum (1736)
Melk Abbey
- Models for the wooden statues in the church (then carried out by Peter Widerin of St. Pölten)
- the angels on top of the portal of the eastern façade
Klosterneuburg
- Several mighty Titans in the Salla terrena (unfinished work)
Warsaw
- St. Kazimierz Church, tombstone of Karolina Sobieska de Bouillon (1746)
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Famous quotes containing the word works:
“The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
—Herman Melville (18191891)
“Are you there, Africa with the bulging chest and oblong thigh? Sulking Africa, wrought of iron, in the fire, Africa of the millions of royal slaves, deported Africa, drifting continent, are you there? Slowly you vanish, you withdraw into the past, into the tales of castaways, colonial museums, the works of scholars.”
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“In all Works of This, and of the Dramatic Kind, STORY, or AMUSEMENT, should be considered as little more than the Vehicle to the more necessary INSTRUCTION.”
—Samuel Richardson (16891761)