Loose (Nelly Furtado Album) - Style and Themes

Style and Themes

Furtado said that with the release of her albums before Loose, she had wanted to prove herself as a musician and earn respect from listeners through using many different instruments on an album, which most hip hop musicians did not do. After she believed she had accomplished that, she felt she had freedom to make the type of music she "really love". Furtado said her previous problem with hip hop was that she did not think it was good enough to base one of her albums on, but that she then asked herself why she was being "pretentious". The album represents her separating from such notions and, in her words, "jumping in the deep end of the pool—'Ahh, screw it, this is fun!'". Furtado said she considers herself "all over the map" and promiscuous musically because she is not faithful to one style. For the first time, Furtado worked with a variety of record producers and followed a more collaborative approach in creating the album. Produced primarily by Timbaland and Danja, Loose showcases Furtado experimenting with a more R&B–hip hop sound and, as she put it, the "surreal, theatrical elements of '80s music". She has categorized the album's sound as punk-hop, which she describes as Eurythmics-influenced "modern, poppy, spooky music" and stated that "there's a mysterious, after-midnight vibe to that's extremely visceral". Furtado has described the album as "more urban, more American, more hip-hop, more simplified" than her earlier work, which she said was more layered and textured because she "tend to overthink things". In contrast, during her studio time with Timbaland, she said she was "in the VIP boys club of just letting go" and being more impulsive. During the recording of Loose, Furtado listened to several electro and rock musicians, including Bloc Party, System of a Down, M.I.A., Feist, Queens of the Stone Age, Metric and Death from Above 1979, some of whom influenced the "rock sound" present on the album and the "coughing, laughing, distorted basslines" that were kept in the songs deliberately. According to her, music by such bands is "very loud and has a garage theme" to it, some of which she felt she captured on the album. Furtado has said rock music is "rhythmic again" and hip hop-influenced after it had become "so churning and boring." Because the mixing engineers were aware of Timbaland and Furtado's rock influences, the songs were mixed on a mixing board in the studio instead of "the fancy mixer at the end". Furtado said she preferred the louder volume that process gave to the album because she wanted it to sound like her demo tapes, which she prefers to her finished albums. She said, "It didn't have that final wash over it; it didn't have the final pressing at the end, save for a couple sounds". The "off-the-cuff" conclusion to production was one of the reasons the album was titled Loose. According to Furtado, instead of "pristine stuff", the album features "really raw" elements such as distorted bass lines, laughter from studio outtakes and general "room for error"; it was named partly after the spontaneous decisions she made when creating the album. The album is also called Loose because it is "the opposite of calculated" and came naturally to Furtado and Timbaland; she called him her "distant musical cousin because he was always pushing boundaries and always carving out his own path", which she believed she was doing with Loose. "I think you have to keep surprising people as an artist, and I like that—I love doing that", she said.

Loose was also named partly for the R&B girl group TLC, who Furtado said she admires for "taking back their sexuality, showing they were complete women." She said she wanted the album to be "assertive and cool" and "sexy but fun", like TLC, MC Lyte, Queen Latifah and Janet Jackson, who inspired Furtado because, as she put it, she was "comfortable in her sexuality and womanhood" when her 1993 single "That's the Way Love Goes" was released. Furtado has said Loose is not as much about the lyrics, which are not included in the liner notes, as it is about "indulging in pleasures—whether it's dancing or lovemaking." According to her, she wasn't trying to be sexy with the album—"I think I just am sexy now", she said. The opening track, "Afraid" (featuring rapper Attitude), is a description of Furtado's fear of what people think of her, and she has said the chorus reminds her of "walking down the hall in high school ... because you live from the outside in. Now that I'm an adult, I care about the inside of me ... Before I said I didn't care about what people thought about me, but I really did." She compared "Maneater" to how people become "hot on themselves" when dancing in their underwear in front of a mirror. "Promiscuous" (featuring Timbaland) was inspired by a flirting exchange Furtado had with Attitude, who co-wrote the song She has characterised the fifth track, "Showtime", as "a proper R&B slow jam". The album also features more introspective songs, and The Sunday Times wrote that it "has a surprising sadness to it." The seventh track, "Te Busqué", which features Latin singer Juanes, is about Furtado's experiences with depression, which she said she has had periodically since she was around seventeen years old. Furtado said she was unsure what "Say It Right" is about, but that it encapsulates her feeling when she wrote it and "taps into this other sphere"; in an interview for The Sunday Times, it was mentioned that it is about her breakup with DJ Jasper Gahunia, the father of her daughter. "In God's Hands", another song on the album, was also inspired by the end of their relationship.