Loeb Classical Library - History

History

The Loeb Classical Library was conceived and initially funded by the Jewish-German-American banker and philanthropist James Loeb (1867–1933). The first volumes were edited by T. E. Page, W. H. D. Rouse, and Edward Capps, and published by William Heinemann and company in 1912, already in their distinctive green (for Greek text) and red (for Latin) hardcover bindings. Since then scores of new titles have been added, and the earliest translations have been revised several times. In recent years, this has included the removal of earlier editions' bowdlerization, which habitually extended to reversal of gender to disguise homosexual references. Profit from the editions continues to fund graduate student fellowships at Harvard University.

The Loebs have only a minimal critical apparatus, when compared to other publications of the text. They are intended for the amateur reader of Greek or Latin, and are so nearly ubiquitous as to be instantly recognizable.

In 1917 Virginia Woolf wrote (in the Times Literary Supplement):

The Loeb Library, with its Greek or Latin on one side of the page and its English on the other, came as a gift of freedom...The existence of the amateur was recognised by the publication of this Library, and to a great extent made respectable...The difficulty of Greek is not sufficiently dwelt upon, chiefly perhaps because the sirens who lure us to these perilous waters are generally scholars have forgotten...what those difficulties are. But for the ordinary amateur they are very real and very great; and we shall do well to recognise the fact and to make up our minds that we shall never be independent of our Loeb.

Harvard University assumed complete responsibility for the series in 1989 and in recent years four or five new or re-edited volumes have been published annually.

In 2001, Harvard University Press began issuing a second series of books with a similar format. The I Tatti Renaissance Library presents key Renaissance works in Latin with a facing English translation; it is bound similarly to the Loeb Classics, but in a larger format and with blue covers. A third series, the Dumbarton Oaks Medieval Library, was introduced in 2010 covering works in Byzantine Greek, Medieval Latin, and Old English. Volumes have the same format as the I Tatti series, but with a brown cover. The Clay Sanskrit Library is also modeled on the Loeb Classical Library.