History
The beginning of Locking can be traced to one man, Don Campbell. In the late 1960s he put together several fad dances adding moves of his own (known as the the "Lock") when performing. The original lock was created by accident: Don Campbell couldn't do a move called the 'The Funky Chicken' and stopped at a particular point whilst moving his arms, creating a 'locking' effect. He wasn't able to perform it fluently, for he couldn't remember which step to take next. (Even the acting towards the audience was spontaneous: when people started laughing at Don because of his unfamiliar moves, he responded by pointing at them.) These halts soon became popular as Don added them into his performances. The resulting dance was called Campbellocking, which was later shortened to Locking. In the early 1970s this set off a movement of Locking dance groups, notably Campbell's group The Lockers. Another locker called Jimmy "Scoo B Doo" Foster and Greggory 'Campbellock Jr.' Pope and others set the foundation for locking dance and clothes style.
Clothes style can consist of loud striped socks, pegged pants that stopped at the knees, bright colorful satin shirts with big collars, big colorful bow ties, gigantic Apple Boy hats, and white gloves.
Later locking became part of the growing hip hop dance culture, and has influenced styles such as popping, B-boying and liquidizing. Locking is still quite popular. Dancers are trying to keep it alive.
Read more about this topic: Locking (dance)
Famous quotes containing the word history:
“We may pretend that were basically moral people who make mistakes, but the whole of history proves otherwise.”
—Terry Hands (b. 1941)
“At present cats have more purchasing power and influence than the poor of this planet. Accidents of geography and colonial history should no longer determine who gets the fish.”
—Derek Wall (b. 1965)
“False history gets made all day, any day,
the truth of the new is never on the news
False history gets written every day
...
the lesbian archaeologist watches herself
sifting her own life out from the shards shes piecing,
asking the clay all questions but her own.”
—Adrienne Rich (b. 1929)