| Image |
Details |
Notes |
Dating |
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- Tobias and the Angel
- Egg tempera on poplar
- 83.6 × 66 cm
- National Gallery, London
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- A painting by Verrocchio while Leonardo was in his workshop. Martin Kemp suggests that Leonardo may have painted some part of this work, most likely the fish. David Alan Brown, of the National Gallery in Washington, attributes the painting of the dog to him as well.
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- c. 1473 (Kemp 2011)
- no date in Marani 2000, but accepted by him
|
| 7002201000000000000
|
7000300000000000000
- The Dreyfus Madonna
- Oil on panel
- 15.7 × 12.8 cm, 6.13 × 5 in
- National Gallery of Art, Washington, D.C.
|
7000700000000000000
- Previously attributed to Verrocchio or Lorenzo di Credi. The anatomy of the Christ Child is so poor as to discourage firm attribution by most critics while some believe that it is a work of Leonardo's youth. This attribution was made by Suida in 1929. Other art historians such as Shearman and Morelli attribute the work to Verrocchio. Daniel Arasse discusses this painting as a youthful work in Leonardo da Vinci, (1997).
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- probably c. 1469 (Marani 2000)
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- Portrait of a Young Fiancée, or La Bella Principessa
- Bodycolour (pastel) on vellum
- 33 × 22 cm
- Private collection, Switzerland
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- Identified as a Leonardo by Martin Kemp on stylistic grounds, and confirmed using the evidence of a fingerprint. Other experts have not agreed with this attribution. As of 2010 the methods used to analyse the fingerprint have come into question.
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- Portrait of a Lady in Profile
- Pinacoteca Ambrosiana, Milan
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- Generally attributed to Ambrogio de Predis. The face is thought to show the hand of Leonardo.
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- c. 1493–5
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- The Holy Infants Embracing
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- Several versions in private collections.
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- c. 1486–1490
|
| 7004203550000000000
|
7001220000000000000
- Bacchus
- Oil on walnut panel transferred to canvas
- 177 × 115 cm
- Louvre, Paris
|
7000700000000000000
- Disputed
- Generally considered to be a workshop copy of a drawing.
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- c. 1513–16 (Kemp 2011)
- c. 1510–5, later repainted and altered (Marani 2000)
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