The US state Vermont has many symbols, some officially codified by legislation (mineral, flower, bird, beverage, pie, mammal, song, insect, tree, and fish), and several unofficial symbols. These unofficial symbols of Vermont include maple syrup; the Eastern White Pine (Pinus strobus), which was worn as a badge by the Green Mountain Boys and appears on the Vermont coat of arms and Vermont Military Crest; and the White-tailed deer (Odocoileus virginianus) also appearing on the state's coat of arms. The number 14 figures prominentally in the state's history and lore. The Vermont Republic lasted for fourteen years, the pine tree on the Great Seal of Vermont has fourteen branches, the state has fourteen counties, and Vermont was the fourteenth state in the Union.
Vermont's state song is "These Green Mountains," composed by Diane Martin and arranged by Rita Buglass Gluck. This song was officially designated as the state song on 22 May 2000. This song replaced "Hail to Vermont!," which was written by Josephine Hovey-Perry and made the state song in 1938. However, "Moonlight in Vermont" remains an unofficial favorite.
The state bird is the hermit thrush (Catharus guttatus). This was adopted in 1941. The bird was only designated after debate in the legislature; though the hermit thrush is found in all of 14 counties and has a distinctive sweet call, it leaves the state during the winter for its yearly southward migration. Many legislators favored the blue jay (Cyanocitta cristata) or the crow.
The Red Clover (Trifolium pratense) was designated as the state flower in 1895. The red clover is often seen in the countryside of Vermont hosting the state insect – the Western honey bee (Apis mellifera), designated by Act 124 of the 1978 biennial session of the Vermont General Assembly. A natural companion and frequent visitor to the state flower, the honey bee was chosen for its agricultural benefits, and for being a "social" insect and representing the unity side of Vermont's state motto Freedom and Unity.
Vermont has two official state fish as of 1978: the cold-water fish, the brook trout (Salvelinus fontinalis) and the warm-water fish, the walleye (Sander vitreous vitreous).
The state tree is the sugar maple (Acer saccharum), effective in 1949. The sugar maple is the source of maple syrup, Vermont's most famous export.
The Morgan horse became the state mammal in 1961. The Morgan horse is a horse breed originally from Vermont, and named for Justin Morgan. The state maintains standards and develops bloodlines for the breed at the University of Vermont's Morgan Horse Farm at Weybridge.
The state amphibian, adopted by the legislature in 1997, is the Northern Leopard Frog (Rana pipiens).
Vermont has also designated an official state mineral (talc), pie (apple pie), soil ("Tunbridge Soil Series"), beverage (milk), gem (grossular garnet), and fossil (the beluga skeleton at the University of Vermont's Perkins Geology Museum).
The state reptile is the painted turtle. The state rocks are granite, marble, and slate.
Vermont is distinct for being among only three U.S. states with both a state seal and a coat of arms. Vermont is the only U.S. state to have a heraldically correct blazon describing its coat of arms.
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“My list of things I never pictured myself saying when I pictured myself as a parent has grown over the years.”
—Polly Berrien Berends (20th century)
“Feminism is an entire world view or gestalt, not just a laundry list of women’s issues.”
—Charlotte Bunch (b. 1944)
“Anything I can say about New Hampshire
Will serve almost as well about Vermont,
Excepting that they differ in their mountains.
The Vermont mountains stretch extended straight;
New Hampshire mountains curl up in a coil.”
—Robert Frost (1874–1963)
“Typical of Iowa towns, whether they have 200 or 20,000 inhabitants, is the church supper, often utilized to raise money for paying off church debts. The older and more conservative members argue that the “House of the Lord” should not be made into a restaurant; nevertheless, all members contribute time and effort, and the products of their gardens and larders.”
—For the State of Iowa, U.S. public relief program (1935-1943)
“The use of symbols has a certain power of emancipation and exhilaration for all men. We seem to be touched by a wand, which makes us dance and run about happily, like children. We are like persons who come out of a cave or cellar into the open air. This is the effect on us of tropes, fables, oracles, and all poetic forms. Poets are thus liberating gods.”
—Ralph Waldo Emerson (1803–1882)