Film
Tsubasa Chronicle the Movie: The Princess of the Country of Birdcages (劇場版 ツバサ·クロニクル 鳥カゴの国の姫君, Gekijōban Tsubasa Kuronikuru Torikago no Kuni no Himegimi?) premiered in Japanese theaters on August 20, 2005 in conjunction with xxxHolic the Movie: A Midsummer Night's Dream. It was directed by Itsuro Kawasaki and written by both Midori Goto and Junichi Fujisaku with character designs provided by Yoko Kikuchi and music provided by Yuki Kajiura. It features two pieces of theme music. "Aerial" is the opening theme performed by Kinya Kotani and "Amrita" is the ending theme performed by Yui Makino.
In their continuing journey to find the feathers that are the fragments of Sakura's lost memory, Syaoran, Kurogane, Fai, and Sakura move through time and space with Mokona. Here, they visit the "Country of Birdcages," a seemingly peaceful country where people and birds live together, each person having a bird companion. After a boy named Koruri confuses Syaoran and Sakura for "bodyguards" and attacks them, they learn that the king of the country possesses a mysterious power. Princess Tomoyo, Koruri, and the other oppressed citizens, having had their birds taken from them, live in hiding within the forest. In order to take back Sakura's feather, Syaoran and the others stand up against the scheming king.
Read more about this topic: List Of Tsubasa: Reservoir Chronicle Episodes
Famous quotes containing the word film:
“All film directors, whether famous or obscure, regard themselves as misunderstood or underrated. Because of that, they all lie. They’re obliged to overstate their own importance.”
—François Truffaut (1932–1984)
“You should look straight at a film; that’s the only way to see one. Film is not the art of scholars but of illiterates.”
—Werner Herzog (b. 1942)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)