Film
Tsubasa Chronicle the Movie: The Princess of the Country of Birdcages (劇場版 ツバサ·クロニクル 鳥カゴの国の姫君, Gekijōban Tsubasa Kuronikuru Torikago no Kuni no Himegimi?) premiered in Japanese theaters on August 20, 2005 in conjunction with xxxHolic the Movie: A Midsummer Night's Dream. It was directed by Itsuro Kawasaki and written by both Midori Goto and Junichi Fujisaku with character designs provided by Yoko Kikuchi and music provided by Yuki Kajiura. It features two pieces of theme music. "Aerial" is the opening theme performed by Kinya Kotani and "Amrita" is the ending theme performed by Yui Makino.
In their continuing journey to find the feathers that are the fragments of Sakura's lost memory, Syaoran, Kurogane, Fai, and Sakura move through time and space with Mokona. Here, they visit the "Country of Birdcages," a seemingly peaceful country where people and birds live together, each person having a bird companion. After a boy named Koruri confuses Syaoran and Sakura for "bodyguards" and attacks them, they learn that the king of the country possesses a mysterious power. Princess Tomoyo, Koruri, and the other oppressed citizens, having had their birds taken from them, live in hiding within the forest. In order to take back Sakura's feather, Syaoran and the others stand up against the scheming king.
Read more about this topic: List Of Tsubasa: Reservoir Chronicle Episodes
Famous quotes containing the word film:
“His education lay like a film of white oil on the black lake of his barbarian consciousness. For this reason, the things he said were hardly interesting at all. Only what he was.”
—D.H. (David Herbert)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)
“This film is apparently meaningless, but if it has any meaning it is doubtless objectionable.”
—British Board Of Film Censors. Quoted in Halliwells Filmgoers Companion (1984)