Episodes
- Key
- In the # column:
- The first number refers to the order it aired during the entire series.
- The second number refers to the episode number within its season: for example, 706 would be the sixth episode of the seventh season.
- The production code refers to the code assigned to the episode by the production team. The first two characters refer to the season the episode was made for. The second season is 7Fxx, the third is 8Fxx and the fourth is 9Fxx. After that, the fifth season started with 1F and continued in order until season nine (which was 5F). Starting with season ten, the production codes started with AABF, with the first letter changing for each season (i.e. BABF, CABF, etc.) The number at the end of the code is the order in which that episode was produced during that production run.
| Episode | Season | # | Prod. Code | Airdate | Segments | Writer(s) | Director(s) | Ref. |
|---|---|---|---|---|---|---|---|---|
| I | 2 | 16 - 203 | 7F04 | October 25, 1990 | "Bad Dream House" | John Swartzwelder | Wes Archer | |
| "Hungry are the Damned" | Jay Kogen & Wallace Wolodarsky | Rich Moore | ||||||
| "The Raven" | Sam Simon & Edgar Allan Poe | David Silverman | ||||||
| II | 3 | 42 - 307 | 8F02 | October 31, 1991 | "Lisa's Nightmare" ("The Monkey's Paw") | Al Jean & Mike Reiss Jeff Martin, George Meyer Sam Simon, John Swartzwelder |
Jim Reardon | |
| "Bart's Nightmare" ("The Bart Zone") | ||||||||
| "Homer's Nightmare" ("If I Only Had a Brain") | ||||||||
| III | 4 | 64 - 405 | 9F04 | October 29, 1992 | "Clown Without Pity" | Al Jean & Mike Reiss Jay Kogen & Wallace Wolodarsky Sam Simon, Jon Vitti |
Carlos Baeza | |
| "King Homer" | ||||||||
| "Dial 'Z' For Zombies" | ||||||||
| IV | 5 | 86 - 505 | 1F04 | October 28, 1993 | Wraparounds | Conan O'Brien | David Silverman | |
| "The Devil and Homer Simpson" | Greg Daniels & Dan McGrath | |||||||
| "Terror at 5½ Feet" | Bill Oakley & Josh Weinstein | |||||||
| "Bart Simpson's Dracula" | Bill Canterbury | |||||||
| V | 6 | 109 - 606 | 2F03 | October 30, 1994 | "The Shinning" | Bob Kushell | Jim Reardon | |
| "Time and Punishment" | Greg Daniels & Dan McGrath | |||||||
| "Nightmare Cafeteria" | David S. Cohen | |||||||
| VI | 7 | 134 - 706 | 3F04 | October 29, 1995 | "Attack of the 50-Foot Eyesores" | John Swartzwelder | Bob Anderson | |
| "Nightmare on Evergreen Terrace" | Steve Tompkins | |||||||
| "Homer³" | David S. Cohen | |||||||
| VII | 8 | 154 - 801 | 4F02 | October 27, 1996 | "The Thing and I" | Ken Keeler | Mike B. Anderson | |
| "The Genesis Tub" | Dan Greaney | |||||||
| "Citizen Kang" | David S. Cohen | |||||||
| VIII | 9 | 182 - 904 | 5F02 | October 26, 1997 | "The HΩmega Man" | Mike Scully | Mark Kirkland | |
| "Fly vs. Fly" | David S. Cohen | |||||||
| "Easy-Bake Coven" | Ned Goldreyer | |||||||
| IX | 10 | 207 - 1004 | AABF01 | October 25, 1998 | "Hell Toupée" | Donick Cary | Steven Dean Moore | |
| "The Terror of Tiny Toon" | Larry Doyle | |||||||
| "Starship Poopers" | David S. Cohen | |||||||
| X | 11 | 230 - 1104 | BABF01 | October 31, 1999 | "I Know What You Diddily-Iddily-Did" | Donick Cary | Pete Michels | |
| "Desperately Xeeking Xena" | Tim Long | |||||||
| "Life's a Glitch, Then You Die" | Ron Hauge | |||||||
| XI | 12 | 249 - 1201 | BABF21 | November 1, 2000 | "G-G-Ghost D-D-Dad" | Rob LaZebnik | Matthew Nastuk | |
| "Scary Tales Can Come True" | John Frink & Don Payne | |||||||
| "Night of the Dolphin" | Carolyn Omine | |||||||
| XII | 13 | 270 - 1301 | CABF19 | November 6, 2001 | "Hex and the City" | Joel H. Cohen | Jim Reardon | |
| "House of Whacks" | John Frink & Don Payne | |||||||
| "Wiz Kids" | Carolyn Omine | |||||||
| XIII | 14 | 292 - 1401 | DABF19 | November 3, 2002 | "Send in the Clones" | Marc Wilmore | David Silverman | |
| "The Fright to Creep and Scare Harms" | Brian Kelley | |||||||
| "The Island of Dr. Hibbert" | Kevin Curran | |||||||
| XIV | 15 | 314 - 1501 | EABF21 | November 2, 2003 | "Reaper Madness" | John Swartzwelder | Steven Dean Moore | |
| "Frinkenstein" | ||||||||
| "Stop the World, I Want to Goof Off" | ||||||||
| XV | 16 | 336 - 1601 | FABF23 | November 7, 2004 | "The Ned Zone" | Bill Odenkirk | David Silverman | |
| "Four Beheadings and a Funeral" | ||||||||
| "In the Belly of the Boss" | ||||||||
| XVI | 17 | 360 - 1704 | GABF17 | November 6, 2005 | "B.I.: Bartificial Intelligence" | Marc Wilmore | ||
| "Survival of the Fattest" | ||||||||
| "I've Grown a Costume on Your Face" | ||||||||
| XVII | 18 | 382 - 1804 | HABF17 | November 5, 2006 | "Married to the Blob" | Peter Gaffney | David Silverman Matthew Faughnan |
|
| "You Gotta Know When To Golem" | ||||||||
| "The Day the Earth Looked Stupid" | ||||||||
| XVIII | 19 | 405 - 1905 | JABF16 | November 4, 2007 | "E.T., Go Home" | Marc Wilmore | Chuck Sheetz | |
| "Mr. & Mrs. Simpson" | ||||||||
| "Heck House" | ||||||||
| XIX | 20 | 424 - 2004 | KABF16 | November 2, 2008 | "Untitled Robot Parody" | Matt Warburton | Bob Anderson | |
| "How to Get Ahead in Dead-vertising" | ||||||||
| "It's the Grand Pumpkin, Milhouse" | ||||||||
| XX | 21 | 445 - 2104 | LABF14 | October 18, 2009 | "Dial 'M' for Murder or Press '#' to Return to Main Menu" | Daniel Chun | Mike B. Anderson Matthew Schofield |
|
| "Don't Have a Cow, Mankind" | ||||||||
| "There's No Business Like Moe Business" | ||||||||
| XXI | 22 | 468 - 2204 | MABF16 | November 7, 2010 | "War and Pieces" | Joel H. Cohen | Bob Anderson | |
| "Master and Cadaver" | ||||||||
| "Tweenlight" | ||||||||
| XXII | 23 | 489 - 2303 | NABF19 | October 30, 2011 | "The Diving Bell and Butterball" | Carolyn Omine | Matthew Faughnan | |
| "Dial D for Diddly" | ||||||||
| "In the Na'Vi" | ||||||||
| XXIII | 24 | 510 - 2402 | PABF17 | October 7, 2012 | "The Greatest Story Ever Holed" | David Mandel & Brian Kelley | Steven Dean Moore | |
| "UNnormal Activity" | ||||||||
| "Bart & Homer's Excellent Adventure" |
Read more about this topic: List Of The Simpsons Treehouse Of Horror Episodes
Famous quotes containing the word episodes:
“Twenty or thirty years ago, in the army, we had a lot of obscure adventures, and years later we tell them at parties, and suddenly we realize that those two very difficult years of our lives have become lumped together into a few episodes that have lodged in our memory in a standardized form, and are always told in a standardized way, in the same words. But in fact that lump of memories has nothing whatsoever to do with our experience of those two years in the army and what it has made of us.”
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