This is a list of the commercially relevant genres in modern popular music. Styles that are not contemporary or commercially marketed in substantial numbers have been excluded, in accordance with the following criteria:
- Art music: classical music and opera. However Art Music, with the exception of opera, is not usually classified as popular music but as Western Art Music instead.
- Music written for the score of a play, musicals, operetta, zarzuela, film or similar: Filmi, incidental music, video game music, music hall songs and showtunes.
- Ballroom music: tango, pasodoble, cha cha cha and others.
- Religious music: gospel, Gregorian chant, spirituals, hymns and the like.
- Military music, marches, national anthems and related compositions.
- Regional and national musics with no significant commercial impact abroad, except when a version of an international genre: Traditional music, folk, oral traditions, sea shanties, work songs, nursery rhymes, Arabesque, Chalga, Flamenco and indigenous music.
Applicable styles are classified in this list using Allmusic genre categorisation.
Famous quotes containing the words list of, list, popular and/or music:
“Every morning I woke in dread, waiting for the day nurse to go on her rounds and announce from the list of names in her hand whether or not I was for shock treatment, the new and fashionable means of quieting people and of making them realize that orders are to be obeyed and floors are to be polished without anyone protesting and faces are to be made to be fixed into smiles and weeping is a crime.”
—Janet Frame (b. 1924)
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (1899–1961)
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“The further jazz moves away from the stark blue continuum and the collective realities of Afro-American and American life, the more it moves into academic concert-hall lifelessness, which can be replicated by any middle class showing off its music lessons.”
—Imamu Amiri Baraka (b. 1934)