List of Philippine Television Shows - Soap Operas

Soap Operas

  • Anna Luna (1989–1994; ABS-CBN, 1994–1995; RPN)
  • Bakekang (2006–2007; GMA)
  • Babaeng Hampaslupa (2011; TV5)
  • Bituing Walang Ningning (2006; ABS-CBN)
  • Crazy for You (2006; ABS-CBN)
  • Esperanza (1997; ABS-CBN)
  • Gulong ng Palad (2005; ABS-CBN)
  • Habang May Buhay (2010; ABS-CBN)
  • Hanggang Kailan (2004; GMA)
  • Hiram (2004; ABS-CBN)
  • I Luv NY (2006; GMA)
  • Ikaw Ang Lahat sa Akin (2005; ABS-CBN)
  • Impostora (2007; GMA)
  • It Might Be You (2003–2004; ABS-CBN)
  • Kung Mawawala Ka (2001–2003; GMA)
  • Lobo (2008; ABS-CBN)
  • Maging Sino Ka Man (2006; ABS-CBN)
  • Maging Sino Ka Man: Ang Pagbabalik (2007; ABS-CBN)
  • Makulay Ng Daigdig ni Nora (1974)
  • Mara Clara
  • Maria Flordeluna (2007; ABS-CBN)
  • MariMar (2007–2008; GMA)
  • Mula Sa Puso * (1997–1999, 2011; ABS-CBN)
  • My Driver Sweet Lover (2010; TV5)
  • Nagbabagang Bulaklak (Danceserye)
  • Pangako sa ’Yo (2000–2002; ABS-CBN)
  • Pangarap na Bituin (2007; ABS-CBN)
  • Sa Dulo Ng Walang Hanggan (2001–2003; ABS-CBN)
  • Sana Maulit Muli (2007; ABS-CBN)
  • Sa Piling Mo (2006; ABS-CBN)
  • Sarah The Teen Princess (2004; ABS-CBN)
  • Te Amo, Maging Sino Ka Man (2004)
  • Twin Hearts (2003–2004;)
  • Vietnam Rose (2005–2006; ABS-CBN)
  • Walang Kapalit (2007; ABS-CBN)
  • Ysabella (2007–2008; ABS-CBN)

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Famous quotes related to soap operas:

    “Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s ‘real’ life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
    —Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)

    “A reader who quarrels with postulates, who dislikes Hamlet because he does not believe that there are ghosts or that people speak in pentameters, clearly has no business in literature. He cannot distinguish fiction from fact, and belongs in the same category as the people who send cheques to radio stations for the relief of suffering heroines in soap operas.”
    —Northrop Frye (b. 1912)