Copies and Derivative Works
| Work | Description | Date | Medium | Size | Location |
|---|---|---|---|---|---|
| Portrait of Nikolaus Kratzer, after Holbein | c. 1528 | Oil on panel | 81.9 × 64.8 cm | National Portrait Gallery (London) | |
| Portrait of Desiderius Erasmus of Rotterdam, Holbein's workshop | c. 1530 | Oil and tempera on limewood | 18.2 × 14.5 cm | Kunstmuseum Basel | |
| Portrait of Sir Nicholas Carew, workshop or follower of Holbein | Probably 1530s | Oil and tempera on wood | 95.3 × 112 cm | Duke of Buccleuch, Drumlanrig Castle, Dumfries | |
| Portrait of an Unidentified Gentleman, workshop or follower of Holbein | 1535 | Oil on oak | 30.5 cm diameter | Metropolitan Museum of Art, New York | |
| Portrait of Sir Nicholas Poyntz, after Holbein | c.1535 | Oil on panel | 42.5 × 29.2 cm | National Portrait Gallery, London | |
| Portrait of an Unidentified Man, possibly Hans of Antwerp, workshop of Holbein | c. 1535–40 | Oil and tempera on oak | 13 cm diameter | Victoria and Albert Museum, London. | |
| Portrait of Jane Seymour, after Holbein | c. 1537 | Oil and tempera on oak | 26.3 × 18.7 cm | Mauritshuis, The Hague | |
| Portrait Miniature of Thomas Cromwell, after Holbein | c. 1537 | Watercolour and bodycolour on vellum | 4.4 cm diameter | National Portrait Gallery, London | |
| Portrait of Prince Edward, after Holbein | 16th century, after c. 1538 | Oil on panel | 59 × 44.5cm | Berger Collection, Denver Art Museum | |
| Portrait of Henry VIII, Holbein's workshop | c 1540 | Oil on oak | 88.2 × 75 cm | Galleria Nazionale d'Arte Antica, Rome | |
| Portrait of Elizabeth, Lady Rich, after Holbein | c 1540 | Oil and tempera on wood (probably oak) | 44.5 × 33.9 cm | Metropolitan Museum of Art, New York | |
| Portrait of Henry VIII in a Great Coat Holding a Staff, after Holbein | 1542 | Oil and tempera on oak | 92.7 × 66.7 cm | Castle Howard, Yorkshire | |
| Portrait Miniature of Hans Holbein the Younger, copy of Holbein's self-portrait, probably by Lucas Horenbout | 1543 | Watercolour on vellum mounted on playing card | 3.7 cm diameter | Wallace Collection, London | |
| Portrait of Henry VIII, after Holbein | After 1537, possibly c 1567 | Oil on canvas | 233.7 × 134.6 cm | Walker Art Gallery, Liverpool | |
| Portrait of Sir William Butts, after Holbein | c 1543 | Oil on panel | 47 × 37.5 cm | National Portrait Gallery, London | |
| Portrait of George Brooke, 9th Baron Cobham | After 1544 | Oil on panel | 32 cm diameter | Private collection | |
| Portrait Miniature of Thomas Wriothesley, 1st Earl of Southampton, after Holbein | Probably second half of 16th century | Watercolour on vellum laid on card | Oval of 5 × 3 cm | Metropolitan Museum of Art, New York | |
| The Family of Thomas More, by Rowland Lockey, after Holbein's lost painting | 1592 | Oil on canvas | Nostell Priory, West Yorkshire | ||
| Dresden Madonna, copy by Bartholomäus Sarburgh of Holbein's Darmstadt Madonna | c. 1635–37 | Oil on oak | 159 × 103 cm | Gemäldegalerie Alte Meister, Dresden | |
| Portrait of Johann Froben, after Holbein | 16th or beginning of 17th century, after an original of 1520–26 | Oil and tempera on oak | 39.5 × 33.5 cm | Kunstmuseum Basel | |
| Portrait of Desiderius Erasmus of Rotterdam, Holbein's workshop, with later additions | c. 1523–40, background c. 1629 | Oil on wood | 54.7 x 32.4 cm | Royal Collection, Windsor Castle | |
| Henry VII, Elizabeth of York, Henry VIII, and Jane Seymour, copy by Remigius van Leemput of Holbein's Whitehall Mural, destroyed by fire in 1698 | 1667 | Oil on canvas | 88.9 × 99.2 cm | Royal Collection, Windsor Castle |
Read more about this topic: List Of Paintings By Hans Holbein The Younger
Famous quotes containing the words copies, derivative and/or works:
“When we reflect on our past sentiments and affections, our thought is a faithful mirror, and copies its objects truly; but the colours which it employs are faint and dull, in comparison of those in which our original perceptions were clothed.”
—David Hume (1711–1776)
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—Wyndham Lewis (1882–1957)
“Most works of art, like most wines, ought to be consumed in the district of their fabrication.”
—Rebecca West (1892–1983)