2008 in Film
| Title | Director | Cast | Genre | Notes | ||
|---|---|---|---|---|---|---|
| 2008 | ||||||
| Dhanare Rakhibu Sapatha Mora | Sanjay Nayak | Anubhav Mohanty, Archita, Mihir Das, Aparajita, Priyanka Mohapatra, Jayeeram Samal | Remake of Hindi movie Saugandh, starring:Akshay Kumar, Shantipriya, Rakhi, Mukesh Khanna | |||
| Mu Sapanara Soudagar | Sanjaya Nayak | Sabyasachi, Arindam, Archita, Ajit | ||||
| Chaati Chiri Dele Tu.. | S.K. Muralidharan | Siddhanta Mahapatra, Anubhav Mohanty, Mitti, Hara Patnaik, Bijay Mohanty | ||||
| Satya Meba Jayate | Basant Sahu | Akash Das Nayak, Bijay Mohanty, Sonali, Hadu | ||||
| Nandini I Love U | Ashok Pati | Siddhanta Mahapatra, Budhaditya | Remake of Hindi movie Dhadkan starring Akshay kumar, Suniel Shetty, Shilpa Shetty, Mahima Chaudhry | |||
| Mote Ta Love Helare | Ashok Pati | Bijay Mohanty, Anubhav Mohanty, Bijaya, Mihir Das, Subhashree Ganguly | ||||
| Hasiba Puni Mo Suna Sansar | Ranjan Misra | Siddhanta Mahapatra, Anu Choudhary, Mihir Das, Mamuni Mishra | SOUND RECORDIST:DEBARANJAN SAMAL | |||
| Munna-A Love Story | N. Padhi | Anubhav Mohanty, Dushmant, Romi, Naina Dash, Mihir Das | ||||
| To Bina Bhala Lagena | Jyoti Das | Sabyasachi Misra, Pupinder, Rupali | ||||
| Bande Utkala Janani | Suvendu Swain | Siddhanta Mahapatra, Sabyasachi Misra, Hara Patnaik, Minaketan, Smita | Drama | |||
| Kalinga Putra | Barada Prasana Tripathy | Bijay Mohanty, Akash Das Nayak, Rachita | ||||
| Nei Jaa Re Megha Mate | S.K Murallidharan | Anubhav Mohanty, Barsha, Kajal Siddhant Mohapatra | ||||
| Mote Ani Dela Lakhye Faguna | Sanjay Nayak | Siddhanta Mahapatra, Sabyasachi Misra, Archita Sahu | Remake of Telugu movie Okkadu Starring: Mahesh Babu, Bhumika Chawla | |||
| Chatura Kau | Bibhudatta Tripathy | Animation | ||||
Read more about this topic: List Of Oriya Films
Famous quotes containing the word film:
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)