List Of Minor Characters In Peanuts
The following is a list of all notable secondary characters in the American comic strip Peanuts. Begun in 1950 by Charles M. Schulz, Peanuts saw several secondary characters come and go throughout the strip's fifty-year run.
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Read more about List Of Minor Characters In Peanuts: Ace Elementary School, The Cat Next Door, Charlotte Braun, Clara, Shirley and Sophie, Clara (″The Annoying Girl″), Emily, Eudora, Faron, Floyd, Austin, Leland, Milo, and Ruby, Janice Emmons, Joe Agate, Joe Shlabotnik, José Peterson, Lila Allcroft, The Little Red-Haired Girl, Mary Jo, Maynard, Mimi, Miss Othmar, Molly Volley, Morag, Peggy Jean, Poochie, Roy, Royanne Hobbs, Russell Anderson, "Shut Up and Leave Me Alone", Tapioca Pudding, Thibault, Truffles, Woodstock's Bird Friends, 555 95472, 3 and 4
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“Do your children view themselves as successes or failures? Are they being encouraged to be inquisitive or passive? Are they afraid to challenge authority and to question assumptions? Do they feel comfortable adapting to change? Are they easily discouraged if they cannot arrive at a solution to a problem? The answers to those questions will give you a better appraisal of their education than any list of courses, grades, or test scores.”
—Lawrence Kutner (20th century)
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (1899–1961)
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—Ralph Waldo Emerson (1803–1882)
“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)