This is a list of famous and notable Mexican dubbing voice actors (Voces de Doblaje) in alphabetical order by last names, where applicable. This would include persons who are known to a large number of people and is not based on the extent of their popularity. Neither is the list viewed from the context of the present. Their fame could be brief; what matters is that they were well known during the peak of their popularity.
In the Hispanic community the dubbed voices of famous film actors are remembered better and became widely recognizable (e.g. the Spanish voice of Homer Simpson, performed by Humberto Vélez, is one of the most famous in Latin America).
These actors often become stars in the science fiction or subgenre fandoms (like in anime fandom) and become guests in international science fiction fandom conferences.
Famous quotes containing the words list of, list, mexican, voice and/or actors:
“Shea—they call him Scholar Jack—
Went down the list of the dead.
Officers, seamen, gunners, marines,
The crews of the gig and yawl,
The bearded man and the lad in his teens,
Carpenters, coal-passers—all.”
—Joseph I. C. Clarke (1846–1925)
“Religious literature has eminent examples, and if we run over our private list of poets, critics, philanthropists and philosophers, we shall find them infected with this dropsy and elephantiasis, which we ought to have tapped.”
—Ralph Waldo Emerson (1803–1882)
“The germ of violence is laid bare in the child abuser by the sheer accident of his individual experience ... in a word, to a greater degree than we like to admit, we are all potential child abusers.”
—F. Gonzalez-Crussi, Mexican professor of pathology, author. “Reflections on Child Abuse,” Notes of an Anatomist (1985)
“What is this beast, she thought,
with muscles on his arms
like a bag of snakes?
What is this moss on his legs?
What prickly plant grows on his cheeks?
What is this voice as deep as a dog?”
—Anne Sexton (1928–1974)
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)