Kino's Journey is a Japanese light novel series written by Keiichi Sigsawa, and illustrated by Kohaku Kuroboshi. The series premiered in the sixth volume of Dengeki hp on March 17, 2000. The first volume of the series was published on July 10, 2000 under ASCII Media Works' Dengeki Bunko publishing imprint. As of October 10, 2010, 14 volumes have been published.
Tokyopop licensed the novels for an English language release in North America. The first volume was published on October 3, 2006. Tokyopop released the series under its rōmaji title of Kino no Tabi and rearranged the chapters of the first volume. Due to issues with the licensor, the remaining volumes have been canceled. The light novel series has also been translated into Chinese, Korean, and German.
An additional volume entitled Kino's Journey -the Beautiful World- Country of Theater -Kino- (キノの旅 -the Beautiful World- 劇場の国 -KINO-, Kino no Tabi -the Beautiful World- Gekijō no Kuni -KINO-?) was released as a promotional gift for the second animated movie. A spin-off of the regular series under the title Gakuen Kino was also created. The first volume of the spin-off series was released on July 10, 2006 under Dengeki Bunko; the fourth volume was released on July 10, 2010. The series is a collection of parodies originally published in three spin-off magazines of Dengeki hp: Dengeki p, Dengeki h, and Dengeki hpa. The spin-off features Kino as a magical girl in a school setting.
Famous quotes containing the words list of, list, journey, light and/or novels:
“Feminism is an entire world view or gestalt, not just a laundry list of women’s issues.”
—Charlotte Bunch (b. 1944)
“Every morning I woke in dread, waiting for the day nurse to go on her rounds and announce from the list of names in her hand whether or not I was for shock treatment, the new and fashionable means of quieting people and of making them realize that orders are to be obeyed and floors are to be polished without anyone protesting and faces are to be made to be fixed into smiles and weeping is a crime.”
—Janet Frame (b. 1924)
“Senta: These boats, sir, what are they for?
Hamar: They are solar boats for Pharaoh to use after his death. They’re the means by which Pharaoh will journey across the skies with the sun, with the god Horus. Each day they will sail from east to west, and each night Pharaoh will return to the east by the river which runs underneath the earth.”
—William Faulkner (1897–1962)
“Signal smokes, war drums, feathered bonnets against the western sky. New messiahs, young leaders are ready to hurl the finest light cavalry in the world against Fort Stark. In the Kiowa village, the beat of drums echoes in the pulsebeat of the young braves. Fighters under a common banner, old quarrels forgotten, Comanche rides with Arapaho, Apache with Cheyenne. All chant of war. War to drive the white man forever from the red man’s hunting ground.”
—Frank S. Nugent (1908–1965)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)