Film and Video
| Year | Title | Series | Network | Notes |
|---|---|---|---|---|
| 1961 | Judy Garland | Hollywood Hist-o-rama |
Syndicated | Syndicated television short covering Garland's career through A Star is Born, glossing over any mention of Garland's problems. |
| 1972 | Judy: Impressions of Garland | Omnibus | BBC | |
| 1975 | Judy/The Ultra Secret | 60 Minutes | CBS | The Garland segment was one of two in the episode. "The Ultra Secret" was a segment about World War II code-breaking. |
| 1978 | Judy Garland | The Hollywood Greats | BBC | |
| 1978 | Rainbow | N/A | NBC | Biopic focusing on Garland's early years. Andrea McArdle played Garland. |
| 1985 | Judy Garland: The Concert Years | Great Performances | PBS | Nominated for an Emmy award for "Outstanding Informational Special". |
| 1997 | Judy Garland: Beyond the Rainbow | Biography | A&E | Expanded two hour episode. |
| 2001 | Life with Judy Garland: Me and My Shadows | N/A | ABC | Two-part biopic based on the Luft memoir. Garland as a child was played by Tammy Blanchard and Judy Davis played Garland as an adult. The mini-series was nominated for 13 Emmys, and won five, including awards to both Blanchard and Davis. |
| 2001 | Last Days of Judy Garland | E! True Hollywood Story | E! | |
| 2004 | Judy Garland: By Myself | American Masters | PBS | Won two Emmy awards; nominated for three more. |
Read more about this topic: List Of Judy Garland Biographies
Famous quotes containing the words film and, film and/or video:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“A good film script should be able to do completely without dialogue.”
—David Mamet (b. 1947)
“These people figured video was the Lord’s preferred means of communicating, the screen itself a kind of perpetually burning bush. “He’s in the de-tails,” Sublett had said once. “You gotta watch for Him close.””
—William Gibson (b. 1948)