Trains
Film | Vehicle | Owner | Notes |
---|---|---|---|
From Russia With Love | Orient Express (Istanbul - Venice) | TCDD/SNCF | |
You Only Live Twice | Tanaka's underground train in Tokyo | Tiger Tanaka | |
From Russia With Love | BOB ABDeh 4/4 (Interlaken – Zweilütschinen - Lauterbrunnen) | BOB | |
Live And Let Die | Underground monorail on San Monique (fictional) | Kananga | |
Live And Let Die | Sleeping train with diesel locomotive (probably from New Orleans to New York) | Unknown | |
The Spy who Loved Me | Train from Cairo, Egypt to Sardinia | Unknown | |
Octopussy | Steam locomotive 62 015 at Octopussy's Circus Train | DR/Octopussy | filmed at the Nene Valley Railway. |
A View to a Kill | Mine Train | Max Zorin | |
The Living Daylights | Vienna tram | Wiener Linien | |
GoldenEye | Armoured ICBM Train (intercontinental ballistic missile) - modified BR Class 20 | Alec Trevelyan | Sometimes nicknamed "The Haunting Face" due to its appearance, filmed at the Nene Valley Railway. |
Casino Royale (2006) | Pendolino CD-serie 680 | České Dráhy (CD) | |
Skyfall | Work train with diesel locomotive type DE xx000 | TCDD | Second time Bond 'uses' a Turkish train. Filmed in Adana, Turkey. |
Read more about this topic: List Of James Bond Vehicles
Famous quotes containing the word trains:
“Ever notice how these European trains always smell of eau de cologne and hard boiled eggs?”
—Billy Wilder (b. 1906)
“Every American travelling in England gets his own individual sport out of the toy passenger and freight trains and the tiny locomotives, with their faint, indignant, tiny whistle. Especially in western England one wonders how the business of a nation can possibly be carried on by means so insufficient.”
—Willa Cather (18761947)
“The complaint ... about modern steel furniture, modern glass houses, modern red bars and modern streamlined trains and cars is that all these objets modernes, while adequate and amusing in themselves, tend to make the people who use them look dated. It is an honest criticism. The human race has done nothing much about changing its own appearance to conform to the form and texture of its appurtenances.”
—E.B. (Elwyn Brooks)