List of Fictional Comics - Fictional Comic Strips

Fictional Comic Strips

  • Angry Dad, a webcomic by Bart Simpson in The Simpsons episode "I Am Furious Yellow"
  • Bash Brannigan - How to Murder Your Wife
  • Captain Tomorrow (published in Daily Planet) Superman
  • Captain Goofball (cancelled comic strip) FoxTrot
  • Caroline in the City (comic strip written and drawn by fictional cartoonist Caroline Duffy and colored by fictional colorist Richard Karinsky) Caroline in the City
  • Cosmic Cow (comic strip written and drawn by fictional cartoonist Henry Rush) Too Close for Comfort
  • Frank Kafka, Private Eye (comic strip written and drawn by Jacob Kurtz) Criminal
  • Klondike Ike (comic strip written and drawn by Vic Van Streck)
  • Jump Start (comic strip)
  • The Land of Want (webcomic, written and drawn by Merlin Ambrosius) Arthur, King of Time and Space
  • Li'l Cutie (comic strip written and drawn by Bob Post) Diary of a Wimpy Kid
  • Luther and Locke (a nod to Calvin and Hobbes), FoxTrot
  • Mad about Ewe (webcomic, written and drawn by Rudy Dewclaw) Kevin and Kell
  • Monkeybone - Monkeybone
  • Platypus Duck - (comic strip written and drawn by Tom Ruegger) The 13 Ghosts of Scooby-Doo
  • Rondo and Viola (webcomic, written and drawn by Rudy Dewclaw) Kevin and Kell
  • The Thing of Shapes to Come (webcomic, written and drawn by Arthur Pendragon) Arthur, King of Time and Space
  • The Dark Phantom (Marvel Comics, written and drawn by Joe Quesada.) currently in production

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Famous quotes containing the words fictional, comic and/or strips:

    One of the proud joys of the man of letters—if that man of letters is an artist—is to feel within himself the power to immortalize at will anything he chooses to immortalize. Insignificant though he may be, he is conscious of possessing a creative divinity. God creates lives; the man of imagination creates fictional lives which may make a profound and as it were more living impression on the world’s memory.
    Edmond De Goncourt (1822–1896)

    Commercial jazz, soap opera, pulp fiction, comic strips, the movies set the images, mannerisms, standards, and aims of the urban masses. In one way or another, everyone is equal before these cultural machines; like technology itself, the mass media are nearly universal in their incidence and appeal. They are a kind of common denominator, a kind of scheme for pre-scheduled, mass emotions.
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    Women hate everything which strips off the tinsel of sentiment, and they are right, or it would rob them of their weapons.
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