List of Compositions By Juan María Solare - Works For Solo Instruments - Didactic Pieces For Piano Solo

Didactic Pieces For Piano Solo

  • "Bad Milk Blues". Buenos Aires, towards 1985-87; score transcribed and corrected in Worpswede, 5/JUN/2001.
  • Quinta Aumentada, for piano. Buenos Aires, towards 1985. Score transcribed in Köln, 7/AUG/2003. .
  • Para una mano pequeña, for piano. Buenos Aires, towards 1985. Score transcribed in 2002. To Amelia Saftich. Premiere: Brian Benítez at the Conservatorio de la Ciudad de Buenos Aires, 17/DEC/2003. European premiere by Martina Zago (13 years) on 28/MAR/2004 at the Auditorium Marianum in Perugia, Italy (concert of the winners of the XVI piano competition piccole mani of the Associazione Musicale Frescobaldi).
  • "Suite Barroca", for keyboard. Buenos Aires, 1985?
  • "Esperando a S." for piano. Buenos Aires, 7/FEB/1988
  • "Vals sobre una serie dada", for piano. Buenos Aires, June 1989 Premiere: Diego López at the Conservatorio de la Ciudad de Buenos Aires, 17/DEC/2003.
  • "Recuerdo evanescente" for piano. For Andrea Roitman. Buenos Aires, 18/NOV/1990
  • "Pacífico", for piano (or trio of recorders). Buenos Aires, 4/JUN/1992. Premiere of the piano version: Nelson Benítez at the Conservatorio de la Ciudad de Buenos Aires, 17/DEC/2003.
  • "Barroquismo nº1 (hoy por tí, mañana por mí)" for keyboard. Köln, 13/AUG/1994 . To Carlos María Solare.
  • "Schwarz auf Weiß" for piano. To Daniela Altmayer. Köln 8/OCT/1996. Premiere by Margherita Vescareili (10 years old) on 28/MAR/2004 at the Auditorium Marianum in Perugia, Italy (concert of the winners of the XVI piano competition piccole mani of the Associazione Musicale Frescobaldi).
  • "Strophen, Etüde für Roman", for piano. Worpswede, 25/APR/2002. 1 page. Premiere: Diego López at the Conservatorio de la Ciudad de Buenos Aires, 17/DEC/2003.
  • Autoblues for piano. Lilienthal, 30/MAY/2002. Premiere: Nelson Benítez on 17/DEC/2003 at the Conservatorio de la Ciudad de Buenos Aires.
  • "Es geht noch" blues for piano, study for beginners. Worpswede & Bremen, 29/AUG-5/SEP/2002. 1 page. There is a version for sextet (guitar, dulcimer, piano, vibraphone, bass & percussion) written on 5/OCT/2003 in Köln (for the short film "Mesa para dos").
  • "Deleidades", canon in baguala style for piano. Bus Bremen -> Worpswede, 12/SEP/2002. 1 page. For Delia Geddes on her 48 birthday.
  • "Caminata nocturna (por Colonia)", for piano (for students). Cologne, 22/SEP/2002., 1 page. (There is a version for two recorders, SA or AT, made by the composer in Köln on 22/SEP/2002). Premier of the piano version: Nelson Benítez at the Conservatorio de la Ciudad de Buenos Aires, 17/DEC/2003.
  • "Lark in the Dark" for piano. Train Bremen->Köln, 22/NOV/2002. There is a version (by the composer) for two violins (Köln, 26/NOV/2002). Premiere by Arianna De Stefani (6 years old) on 28/MAR/2004 at the Auditorium Marianum in Perugia, Italy (concert of the winners of the XVI piano competition piccole mani of the Associazione Musicale Frescobaldi).
  • "Precalentamiento personal: Estudio en LA menor" (Personal warming-up: Study in A minor), for piano (cycle of technique studies). Lilienthal & Worpswede, Middle 2002.
  • "Strassencafé" (Street Café), for piano (for students). Worpswede, 17/JAN/2003. 1 page. Version for quartet (guitar, piano, banjo tenor & E-bass), OCT/2003 (for the short film "Mesa para dos"). Premiere (piano version): Diego López at the Conservatorio de la Ciudad de Buenos Aires, 17/DEC/2003. European first performance on 28/MAR/2004 by Lorenzo Perri at the Auditorium Marianum in Perugia, Italy (concert of the winners of the XVI piano competition piccole mani of the Associazione Musicale Frescobaldi).
  • "Langostango", for piano (for students). Worpswede, 23/JAN/2003. Published in the album Arte del Tango (Ricordi Munich, Sy 2765, March 2006). Premiere: Brian Benítez at the Conservatorio de la Ciudad de Buenos Aires, 17/DEC/2003.
  • "Continuando", for piano (for students). Worpswede, 23/JAN/2003 & in the train Köln->Bremen, 30/JAN/2003. Second version for trio (piano, flute and E-Bass) written in Köln on 8/AUG/2003 (for the short film "Mesa para dos"). Third version para bandoneon solo (Köln, 16/SEP/2003).
  • "Zeitfluss", for piano (for students). Worpswede, 6-14/FEB/2003. Version for quartet (Vibraphon, Marimba, E-Bass and tube bells), 8/OCT/2003 (for the short film "Mesa para dos"). Premiere (piano version): Brian Benítez at the Conservatorio de la Ciudad de Buenos Aires, 17/DEC/2003.
  • "Tesoro oculto", for piano. Worpswede, 25-26/FEB/2003. Premiere by Ulrike Dehning on 28/MAY/2006 at the Community Centre of the church Zionskirche of Worpswede (cycle Orgelmusik, Nr. 75). There is a version for female choir with the title "Verborgener Schatz" and another one for flute and organ.
  • "Truro Road" for piano. Worpswede, 8/NOV/2003. To Catherine Seymour, ten years later.
  • "Flatternd - Etüde für Larissa" for piano. Bremen, Worpswede, Train Bremen -> Köln; 21/NOV & 5/DEC/2003.
  • "Romanesca" for piano. Buenos Aires, 9/DEC/2003 & Köln, 31/JAN/2004. To Marlene Heiland.
  • "Sonatinina" for piano. Four movements: Sonatenform, Quasi un palindromo, Minuetto scherzante, Rondeau Köln, 21-22/AUG/2004.
  • "Canción sin palabras a Paulina", for piano. Köln, 1/SEP/2004. . To Josie "Pauleona" Bortz on her birthday.
  • "Dodeca-Mambo" for piano. Köln, 14/SEP/2004. Premiere by the composer on 21/JUN/2006 at the Círculo de Bellas Artes, Madrid (Fiesta de la Música organised by the magazine Doce Notas).
  • "Precalentamiento personal: Mientras como una zanahoria con la otra mano" for piano, left hand alone (cycle of technique studies). Bremen & Worpswede, 27/AUG-1/OCT/2004.
  • "Precalentamiento personal: Blind Octaves", for piano (cycle of technique studies). Worpswede, 1/OCT/2004.
  • "Tarantella", for piano. Köln, 7/MAY/2005.
  • "Octango", for piano. Köln, 9-10/MAY/2005 Published in the album Arte del Tango (Ricordi Munich, Sy 2765, March 2006). There is a second version for tenor saxophone and piano (Geneva, 25/JUL/2006). Third version for cello & piano (Geneva, 25/JUL/2006). Fourth version for double bass & piano (Köln 30/OCT/2006).
  • "Barcarola", for piano. Bremen, 13/MAY/2005.
  • "Valsarín", for piano. Bremen, Worpswede & Köln, 12/MAY-21/AUG/2005. Premiere by the composer at the piano in his recital "A short story of tango"), "Lunch concert" of the 14/NOV/2006 at the theatre of the Universität in Bremen.
  • "Talismán", tango for piano. Köln, 31/OCT/2005. Premiere: Kulturwerkstatt Westend (Bremen), 14/JAN/2006, by the composer (piano). Also performed by the composer on 24/MAY/2006 at the Emanuel-Lasker-Gesellschaft (Berlin) during the XIIth Congress of Chess Collectors International. First performance in Spain by the composer on 21/JUN/2006 at the Círculo de Bellas Artes, Madrid (Fiesta de la Música organised by the magazine Doce Notas). Published in the album Arte del Tango (Ricordi Munich, Sy 2765, March 2006). There is a second version for saxophone and piano (DEC 2005) and a third version for cello and piano.
  • "Röckchen/Rockcito" for piano. Bremen, 13/JUL & 31/AUG/2007, Worpswede, 1/SEP/2007.
  • "Albumblatt" for piano. Bremen, 9/OCT/2007 & Worpswede 16/OCT/2007.
  • "Randbemerkung" for piano. Worpswede, 3/FEB/2008.
  • "Licha" for piano. Geneva, 17-19/AUG/2008. To Luisa Listur.
  • "Ochenta diciembres" for piano. Berlin (17/JUL), Bremen (19/NOV), Worpswede (20 & 25/NOV/2008). To Erna Dehning on her 80 years. Second version: for clarinet, cello & piano (Köln, 26/NOV-1/DEC/2008). Premiere: 20/DEC/2008 by Ibrahim Gunbardhi (cl), Juliane Dehning (vcl) & Juan María Solare (piano) at the Restaurante of the Hotel Deutsche Eiche, Bremen, in the party celebrating the 80 years of Erna Dehning.
  • "Glockenvogel" for piano. Geneva, 30-31/DEC/2008. To María Luján Juárez de Kohan.

Read more about this topic:  List Of Compositions By Juan María Solare, Works For Solo Instruments

Famous quotes containing the words solo, piano, didactic and/or pieces:

    All mothers need instruction, nurturing, and an understanding mentor after the birth of a baby, but in this age of fast foods, fast tracks, and fast lanes, it doesn’t always happen. While we live in a society that provides recognition for just about every life event—from baptisms to bar mitzvahs, from wedding vows to funeral rites—the entry into parenting seems to be a solo flight, with nothing and no one to mark formally the new mom’s entry into motherhood.
    Sally Placksin (20th century)

    There was an old, old house renewed with paint,
    And in it a piano loudly playing.
    Robert Frost (1874–1963)

    If it could be proved today that not one of the miracles of Jesus actually occurred, that proof would not invalidate a single one of his didactic utterances; and conversely, if it could be proved that not only did the miracles actually occur, but that he had wrought a thousand other miracles a thousand times more wonderful, not a jot of weight would be added to his doctrine.
    George Bernard Shaw (1856–1950)

    To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.
    Eleonora Duse (1859–1924)