This is a list of cars with non-standard door designs, sorted by door type. These car models use passenger door designs other than the standard design, which is hinged at the front edge of the door, and swings away from the car horizontally and towards the front of the car. Many cars have door designs which give them a unique look, or which affect their practicality one way or another.
The main types of non-standard door designs are:
- Butterfly - hinged at the top of the door; open up and outward.
- Canopy - roof & sides are one unit hinged at the front (usually); entire assembly opens vertically.
- Coach (suicide) - hinged on the back end of the doorframe; open horizontally toward the rear.
- Gullwing - hinged to the roof at the top of the door; open upward.
- Scissors - hinged at the top front corner of the door; open by rotating vertically upwards.
- Sliding - mounted or suspended from a track; open by sliding horizontally alongside or into the vehicle sidewall.
Read more about List Of Cars With Non-standard Door Designs: Scissor Doors, Suicide Doors, Canopy Doors, Sliding Doors, Other Door Types
Famous quotes containing the words list of, list, cars, door and/or designs:
“Religious literature has eminent examples, and if we run over our private list of poets, critics, philanthropists and philosophers, we shall find them infected with this dropsy and elephantiasis, which we ought to have tapped.”
—Ralph Waldo Emerson (1803–1882)
“Lastly, his tomb
Shall list and founder in the troughs of grass
And none shall speak his name.”
—Karl Shapiro (b. 1913)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“I shook off the sweat and the sun. I understood that I had destroyed the balance of the day, the exceptional silence of a beach where I had been happy. Then I shot four more times at an inert body which the bullets penetrated without appearing so. And it was like four brief knocks that I struck on the door of misfortune.”
—Albert Camus (1913–1960)
“He began therefore to invest the fortress of my heart by a circumvallation of distant bows and respectful looks; he then entrenched his forces in the deep caution of never uttering an unguarded word or syllable. His designs being yet covered, he played off from several quarters a large battery of compliments. But here he found a repulse from the enemy by an absolute rejection of such fulsome praise, and this forced him back again close into his former trenches.”
—Sarah Fielding (1710–1768)