A list of avant-garde and experimental films made before 1930. Though some had dedicated music scores written for them, or were synchronized to records, all of these films were silent. Several of them involve color, through tinting, hand-painting or even photographic color. In terms of defining "avant-garde" or "experimental" in this period, there are several criteria at work here. First and foremost are films that directly or indirectly reflect the major avant-garde art movements of this era and its "isms;" futurism, expressionism, constructivism, cubism, Dada and surrealism. Next in line are films that reflect radical types of film-making technique; unusual camerawork, editing and montage, non-standardized subjects and advanced kinds of amateur or non-commercial films. Animation was not a commercially viable medium before the introduction of cels through the Bray-Hurd process, but unless it is of an abstract nature, most animation is evaluated as to whether it is more significant considered as early animation or as something more radical visually. This list excludes most technical or medical experiments, and some subjects that could loosely qualify as "art films" but do not reflect the modernist esthetic considered within the realm of the avant-garde.
Title | Director | Cast | Country | Sub-Genre/Notes | ||
---|---|---|---|---|---|---|
1900 | ||||||
A Nymph of the Waves | Frederick S. Armitage | Cathrina Barto | Early use of optical printing | |||
1901 | ||||||
The Ghost Train | Frederick S. Armitage | Use of overprinting; section shown in negative | ||||
1903 | ||||||
Le cake-walk infernal | Georges Méliès | Ghostly, in-camera superimpositions | ||||
Down the Hudson | Frederick S. Armitage, A.E. Weed | Single-frame, time-lapse travel actually "up" the Hudson River | ||||
1905 | ||||||
Interior NY Subway, 14th Street to 42nd Street | Billy Bitzer | Shot from front of subway car, largely abstract | ||||
1907 | ||||||
Les Kiriki - Acrobates Japonaises | Segundo de Chomon | Exceptional trick film, shot from the ceiling facing downward | ||||
1908 | ||||||
Fantasmagorie | Émile Cohl | Early animation, reflective of the pre-modernist movement of the Incoherents | ||||
1911 | ||||||
The Automatic Moving Company | Romeo Bosetti and/or Emile Cohl | Often attributed to Emile Cohl; recent scholarship points toward Bosetti. | ||||
A Chord of Color | Bruno Corra, Arnaldo Ginna | Abstract animation, Lost film | ||||
Study on the Effects of Four Colors | Bruno Corra, Arnaldo Ginna | Abstract animation, Lost film | ||||
Translation of Mendelssohn's Spring Song | Bruno Corra, Arnaldo Ginna | Abstract animation, Lost film | ||||
Translation of Mallarmé's poem "Flowers" into Colors | Bruno Corra, Arnaldo Ginna | Abstract animation, Lost film | ||||
1912 | ||||||
The Rainbow | Bruno Corra, Arnaldo Ginna | Abstract animation, Lost film | ||||
The Dance | Bruno Corra, Arnaldo Ginna | Abstract animation, Lost film | ||||
1914 | ||||||
Drama in the Futurist's Cabinet No. 13 | Vladimir Kasyanov | Mikhail Larionov, Natalia Goncharova, David Burliuk | Lost film | |||
1915 | ||||||
La folie du Docteur Tube | Abel Gance | Albert Dieudonné | Archaic trick film, shot through Anamorphic lens | |||
The Picture of Dorian Gray | Vsevolod Meyerhold, Mikhail Doronin | Vavara Yanova, Vsevolod Meyerhold | Adaptation of Oscar Wilde story by symbolist theater director; Lost film | |||
Hypocrites (film) | Lois Weber | Courtenay Foote, Myrtle Stedman | Allegorical and highly symbolic religious picture; nude principal character | |||
1916 | ||||||
The Strong Man | Vsevolod Meyerhold | Mikhail Doronin, Vsevolod Meyerhold | Adaptation of Stanisław Przybyszewski play by symbolist theater director; Lost film | |||
Intolerance (film) | D.W. Griffith | Lillian Gish, Robert Harron | Influential film which attempts to tell four stories at once; extensive use of montage | |||
Diana the Huntress | Charles W. Allen, Francis Trevelyan Miller | Lionel Braham, Percy Richards | Highly stylized mythic film; fragment only | |||
1917 | ||||||
Thaïs | Anton Giulio Bragaglia | Thaïs Galizsky | Incomplete print extant., | |||
Vita futurista | Arnaldo Ginna | Filippo Marinetti, Giacomo Balla | Italian futurist film; Lost film | |||
1918 | ||||||
Il Perfido Incanto | Anton Giulio Bragaglia | Renée Avril, Thaïs Galizsky | Lost film., | |||
The Blue Bird (1918 film) | Maurice Tourneur | Tula Belle, Robin Macdougall | Stylized, almost surrealistic, fantasy film | |||
Prunella | Maurice Tourneur | Isabel Berwin, Jules Raucourt | Stylized, almost surrealistic, fantasy film; lost | |||
Nye dlya deneg radivshisya | Nikandr Turkin | Vladimir Mayakovsky, David Burliuk | Russian furturist adaptation of Jack London story | |||
1919 | ||||||
Rose-France | Marcel L'Herbier | Claude-France Aïssé, Jacque Catelain | Symbolic romance | |||
The Fall of Babylon | D.W. Griffith | Constance Talmadge, Alfred Paget | Edited from Intolerance, widely influential in Europe; introduced 'Russian montage' to Russia | |||
1920 | ||||||
Nude Woman by Waterfall | Claude Friese-Greene | Dance film. | ||||
La fête Espagnole | Germaine Dulac | Ève Francis, Gaston Modot | First film written by Louis Delluc | |||
Le silence | Louis Delluc | Ève Francis, Gabriel Signoret | Naturalist, experimental short | |||
The Cabinet of Dr. Caligari | Robert Wiene | Conrad Veidt, Lil Dagover | Expressionist horror film, greatly influential on avant-garde filmmakers, particularly in the United States | |||
Genuine (film) | Robert Wiene | Fern Andra, Hans Heinrich von Twardowski | Particularly extreme example of Expressionism | |||
The Soul of the Cypress | Dudley Murphy | Chase Harringdine | Dance film | |||
Aphrodite | Dudley Murphy | Katharine Hawley | Dance film, Lost film | |||
Anywhere Out of the World | Dudley Murphy | Chase Harringdine | Dance film, Lost film | |||
1921 | ||||||
El Dorado | Marcel L'Herbier | Ève Francis, Jacque Catelain | Melodrama, highly stylized sets and use of montage | |||
Fièvre | Louis Delluc | Ève Francis, Gaston Modot | Naturalist melodrama | |||
Opus 1 | Walter Ruttmann | Abstract Animation | ||||
Opus 2 | Walter Ruttmann | Abstract Animation | ||||
Rhythmus 21 | Hans Richter | First photographic Abstract animation | ||||
Manhatta | Paul Strand, Charles Sheeler | First City film | ||||
1922 | ||||||
La femme de nulle part | Louis Delluc | Ève Francis, Gine Avril | Naturalist melodrama | |||
Der Sieger | Walter Ruttmann | Semi-abstract advertising film | ||||
Danse macabre | Dudley Murphy | Adolph Bolm, Ruth Page | Dance film | |||
The Enchanted City | Warren Newcombe | Art heavy futurist short | ||||
1923 | ||||||
The Man Without Desire | Adrian Brunel | Ivor Novello | Fantasy, cited by Rotha | |||
Le Retour à la Raison | Man Ray | Alice Prin (Kiki de Montparnasse) | Insert film for a Dadist soirée | |||
L'ironie du Destin | Dimitri Kirsanoff | Dimitri Kirsanoff, Nadia Sibirskaïa | Naturalist melodrama; Lost film | |||
La roue | Abel Gance | Séverin-Mars, Ivy Close | ||||
Cœur fidèle | Jean Epstein | Léon Mathot, Gina Manès | Naturalist melodrama, experimental sequence; cited in Curtis | |||
La mort du soleil | Germaine Dulac | André Nox, Denis Lorys | Social drama, experimental techniques | |||
La sourainte Madame Beudet | Germaine Dulac | Germaine Dermoz, Alexandre Arquillière | Social drama, experimental techniques | |||
Paris qui dort | René Clair | Henri Rollan, Charles Martinelli | Surrealist comedy with science-fiction angle | |||
Rhythmus 23 | Hans Richter | |||||
Salome | Charles Bryant | Alla Nazimova, Mitchell Lewis | ||||
Sea of Dreams | Warren Newcombe | Hazel Lindsley | Futuristic fantasy; Lost film | |||
Dnevnik Glumova | Sergei Eisenstein | Grigori Alexandrov, Sergei Eisenstein | ||||
1924 | ||||||
Ballet Mécanique | Fernand Léger, Dudley Murphy | Alice Prin | ||||
Entr'acte | René Clair | Alice Prin, Francis Picabia, Erik Satie, Man Ray, Marcel Duchamp | Dadaist insert film for Erik Satie's ballet Relâche | |||
L'Inhumaine | Marcel L'Herbier | Georgette Leblanc, Jacque Catelain | Highly stylized science fiction feature | |||
Au secours! | Abel Gance | Max Linder, Jean Toulout | ||||
Symphonie Diagonale | Viking Eggeling | |||||
Opus III | Walter Ruttmann | Abstract animation | ||||
1925 | ||||||
A Quoi revent les jeunes films? | Henri Chomette, Man Ray | Lost film. Made as a collaboration between Chomette and Ray; later sub-divided into three different films. | ||||
La fille de l'eau | Jean Renoir | Catherine Hessling, Pierre Champagne | Naturalist drama, surrealist influenced | |||
Les aventures de Robert Macaire | Jean Epstein | Jean Angelo, Alex Allin | Fantasy serial, cited in Rotha | |||
Jean Cocteau fait du cinéma | Jean Cocteau | Jean Cocteau | 16mm short, Lost film | |||
Stromlinien | Oskar Fischinger | Abstract animation | ||||
Querschnitt | Oskar Fischinger | Abstract animation sampler reel; Lost film | ||||
Rhythmus 25 | Hans Richter | Abstract animation; Lost film | ||||
Opus IV | Walter Ruttmann | Abstract animation | ||||
Rebus Film Nr. 1 | Paul Leni | Semi-abstract filmed puzzle, part of a series of eight films | ||||
KIPHO | Julius Pinschewer, Guido Seeber | Trailer for International Film Congress of Berlin, 1925 | ||||
Lebende Buddhas | Paul Wegener | Paul Wegener, Asta Nielsen | Fragment only; fragment is more experimental than Expressionist | |||
The Pottery Maker | Robert J. Flaherty | Semi-documentary, experimental in style | ||||
The Way | Francis Brugière | Sebastian Droste, Rosalinde Fuller | Unrealized project, dated by Rotha to 1923 and often dated to 1929; 1925 is correct | |||
Battleship Potemkin | Sergei Eisenstein | Aleksandr Antonov, Grigori Alexandrov | "Odessa Steps" sequence is a textbook example of Russian montage | |||
Chess Fever | Vsevolod Pudovkin, Nikolai Shipikovsky | José Raul Capablanca, Vladimir Fogel | ||||
1926 | ||||||
Anemic Cinema | Marcel Duchamp | |||||
Ménilmontant | Dimitri Kirsanoff | Urban realist melodrama | ||||
Rien que les heurs | Alberto Cavalcanti | Blanche Bernis, Nina Chousvalowa | City film | |||
Le voyage imaginaire | René Clair | Dolly Davis, Jean Bõrlin | Fantasy film with surrealist elements | |||
Jeux des reflets et de la vitesse | Henri Chomette | Extract from A Quoi revent les jeunes films? | ||||
Cinq minutes de cinéma pur | Henri Chomette | Extract from A Quoi revent les jeunes films? | ||||
Filmstudie | Hans Richter | |||||
Wax Experiments | Oskar Fischinger | Abstract Animation; incorporates footage going back to 1921 | ||||
Spirals | Oskar Fischinger | Abstract Animation | ||||
A Page of Madness | Teinosuke Kinugasa | Masuo Inoue, Yoshie Nakagawa | ||||
Moonland | Neil McGuire, William A. O'Connor | Mickey McBan | Fantasy short, surrealist sets & situations | |||
Mother | Vsevolod Pudovkin | Vera Baranovskaya, Nikolai Batalov | Gripping social realist drama, heavy use of montage | |||
1927 | ||||||
Emak-Bakia | Man Ray | Alice Prin | Extract from A Quoi revent les jeunes films? | |||
La Glace à trois faces | Jean Epstein | |||||
Napoléon | Abel Gance | Albert Dieudonné, Antonin Artaud | Enormous historic epic, experimental techniques and multi-screen | |||
The Seashell and the Clergyman | Germaine Dulac | |||||
L'invitation au voyage | Germaine Dulac | |||||
Le train sans yeux | Alberto Cavalcanti | Hans Mierendorff, Gina Manès | Written by Louis Delluc | |||
La p'tite Lili | Alberto Cavalcanti | Catherine Hessling, Jean Renoir | Naturalist short, street film | |||
Sur un air de Charleston | Jean Renoir | Catherine Hessling, Johnny Hudgins | Silly, surrealist dance short with sci-fi elements | |||
En rade | Alberto Cavalcanti | Pierre Batcheff, Blanche Bernis | Urban realist melodrama | |||
Vieux châteaux | Eugene Deslaw | Zet Molan | Artful semi-documentary | |||
La marche des machines | Eugene Deslaw | Semi-abtract art film of machinery; filmed by Boris Kaufman | ||||
Les Halles centrales | Boris Kaufman | City film | ||||
Berlin: Symphony of a Great City | Walter Ruttmann | City film | ||||
Inflation | Hans Richter | |||||
Orgelstabe | Oskar Fischinger | Abstract animation; may date to 1923. Later converted to color | ||||
R-1, ein Formspiel | Oskar Fischinger | Abstract animation; multi-screen. Converted to widescreen in 1993. | ||||
Seelische Konstruktionen | Oskar Fischinger | Abstract animation; some footage may date to early 1920s | ||||
München-Berlin Wanderung | Oskar Fischinger | Photographic single-frame film | ||||
Die Landpartie | Alex Strasser | Animated "grotesque" | ||||
City Film | Ralph Steiner | Amateur City film | ||||
Loony Lens | Al Brick | Anamorphic views; insert series to Fox Movietone newsreels, begun 1924, only 4 known, | ||||
Magic Umbrella | Jerome Hill | Genre parody, filmed in Rome; color and sound added in 1965 | ||||
The End of St. Petersburg | Vsevolod Pudovkin, Mikhail Doller | Aleksandr Chistyakov, Vera Baranovskaya | Historic epic | |||
1928 | ||||||
Impatience | Charles Dekeukeleire | Yvonne Selma | Photographic abstract film | |||
Blue Bottles | Ivor Montagu | Elsa Lanchester, Joe Beckett | Hybrid of experimental style and slapstick comedy | |||
Praha v zári svetel (Prague Shining in Lights) | Svatopluk Innemann | City Film | ||||
La chute de la maison Usher | Jean Epstein | Jean Debucourt, Marguerite Gance | Horror, highly stylized | |||
L'Étoile de mer | Man Ray | Alice Prin | Surrealist film financed by Charles De Noailles; written by Paul Desnos | |||
Les nuits électriques | Eugene Deslaw | Semi-abtract art film of neon signs | ||||
L'Argent | Marcel L'Herbier | Brigitte Helm, Alfred Abel | Experimental, modernized treatment of Zola novel | |||
Celles qui s'en font | Germaine Dulac | Visualization of music | ||||
Thèmes et Variations | Germaine Dulac | Visualization of music | ||||
Disque 957 | Germaine Dulac | Visualization of music | ||||
Le petite marchande d'alumettes | Jean Renoir, Jean Tedesco | Catherine Hessling, Eric Barclay | Fantasy short with surrealist elements | |||
Ghosts Before Breakfast | Hans Richter | Dadaist fantasy | ||||
Rennsymphonie | Hans Richter | |||||
Uberfall | Erno Metzner | |||||
Hände | Stella Simon, Miklos Bandy | Stylized love story utilizing only hands; made in silent and sound versions | ||||
Grotesken im Schnee | Alex Strasser, Lotte Reiniger | Animated "grotesque" with sillouhettes | ||||
Jûjiro | Teinosuke Kinugasa | Akiko Chihaya, Junosuke Bando | Expressionistic treatment of Samurai story | |||
De Brug | Joris Ivens | |||||
The Life and Death of 9413 - A Hollywood Extra | Robert Florey, Slavko Vorkapich | Jules Raucourt, George Voya | Ultra low budget anti-Hollywood film | |||
The Love of Zero | Robert Florey | Anielka Etler, Captain Marco Etler | ||||
Johann the Coffin Maker | Robert Florey | Horror short, Lost film | ||||
The Last Moment | Paul Fejos | Otto Matieson, Lucille La Verne | Independently-made, experimental feature; Lost film | |||
The Tell-Tale Heart | Charles Klein | Charles Darvas, Hans Fuerberg | Horror short | |||
There It Is (film) | Charles Bowers | Charles Bowers, Kathryn McGuire | Two reel comedy, absurd in the extreme | |||
Twenty-Four Dollar Island | Robert J. Flaherty | City film, variously dated to 1926, 1927. Premiered in NYC, January 1, 1928 | ||||
The Fall of the House of Usher | James Sibley Watson, Melville Webber | Short film | ||||
Koko's Earth Control | Dave Fleischer, Max Fleischer | Koko the Clown | Animated cartoon with exceptional visual dynamism; flash frames | |||
Zvenigora | Alexander Dovzhenko | Mikola Nademsky, Semen Svashenko, Alexander Podorozhny | Film poem with fantasy elements | |||
October, a.k.a. Ten Days That Shook the World | Sergei Eisenstein | Nikolay Popov, Vasily Nikandrov | Contains Eisenstein's most radical uses of montage | |||
1929 | ||||||
Every Day | Hans Richter | Sergei Eisenstein, Basil Wright | Artful semi-documentary about everyday life | |||
Drifters | John Grierson | Documentary with a distinctly modernist orientation | ||||
Tusalava | Len Lye | Abstract animation | ||||
Histoire de détective | Charles Dekeukeleire | Pierre Bourgeois | Semi-abstract film; despite the title, not a detective story | |||
Un Chien Andalou | Luis Buñuel | Pierre Batcheff, Simone Mareuil | Short, surrealist film written by Buñuel and Salvador Dalí | |||
Étude cinégraphique sur une arabesque | Germaine Dulac | Visualization of music | ||||
Les Mystères du Château de Dé | Man Ray | Man Ray, Georges Auric | Surrealist short funded by Charles De Noailles | |||
Brumes d'automne | Dimitri Kirsanoff | Nadia Sibirskaïa | Film poem, with synchronized music track | |||
Montparnasse | Eugene Deslaw | Luis Buñuel, Filippo Marinetti | City film, with synchronized sound | |||
My Grandmother | Kote Miqaberidze | Aleqsandre Takaishvili, Bella Chernova | Eccentric combination of avant-garde and social comedy | |||
Alles dreht sich, alles bewegt sich | Hans Richter | |||||
The Storming of La Sarraz | Hans Richter, Sergei Eisenstein, Ivor Montagu | Béla Balász, Léon Moussinac | Made during a film conference; Lost film | |||
Studie Nr. 1 | Oskar Fischinger | Abstract Animation | ||||
Impressionen vom alten Marseiller Hafen (Vieux Port) | László Moholy-Nagy | City film | ||||
Rain | Joris Ivens, Mannus Franken | |||||
Skyscraper Symphony | Robert Florey | City film | ||||
H2O | Ralph Steiner | |||||
War Under the Sea | M.G. MacPherson, Jean Michelson | Artkino production; Lost film | ||||
The Bridge | Charles Vidor | Nicholas Bela, Charles Darvas | Experimental narrative film based on Ambrose Bierce story; sometimes dated 1930-31 | |||
Lullaby | Boris Deutsch | Riva Deutsch, Michael Visaroff | Expressionist drama, likely incomplete; Horak dates it to 1925 | |||
Man with a Movie Camera | Dziga Vertov | |||||
The New Babylon | Grigori Konitsev, Leonid Trauberg | David Gutman, Yelena Kuzmina | Production of the Factory of the Eccentric Actor |
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