List Of American Television Series By Setting
This is a list of American television series arranged by their setting.
Read more about List Of American Television Series By Setting: Alabama, Alaska, Albuquerque, Arizona, Atlanta, Baltimore, Boston, Buffalo, NY, Chicago, Cincinnati, Cleveland, Cocoa Beach, Florida, Colorado, Columbus, Dallas, Denver, Detroit, Evening Shade, Arkansas, Fort Worth, Hartford, Honolulu, Houston, Indianapolis, Kansas City, Las Vegas, Lima, Ohio, Los Angeles, Memphis, Miami, Milwaukee, Minneapolis – Saint Paul, Monterey County, California, Nantucket, New Orleans, New York City and Metro Area, North Carolina, Oklahoma City, Orange County, California, Overland Park, Kansas, Palm Springs, California, Peekskill, New York, Philadelphia, Pittsburgh, Portland, Oregon, Providence, Roswell, Sacramento, Saint Louis, San Diego, San Francisco, San Juan, Puerto Rico, Santa Barbara, California, Santa Monica, Scranton, Pennsylvania, Seaside Heights, New Jersey, Seattle, Sunnyvale, California, Tampa, Florida, Washington, D.C. and The Metropolitan Area, Westport, Connecticut
Famous quotes containing the words list of, list, american, television, series and/or setting:
“Love’s boat has been shattered against the life of everyday. You and I are quits, and it’s useless to draw up a list of mutual hurts, sorrows, and pains.”
—Vladimir Mayakovsky (1893–1930)
“Lovers, forget your love,
And list to the love of these,
She a window flower,
And he a winter breeze.”
—Robert Frost (1874–1963)
“The keynote of American civilization is a sort of warm-hearted vulgarity. The Americans have none of the irony of the English, none of their cool poise, none of their manner. But they do have friendliness. Where an Englishman would give you his card, an American would very likely give you his shirt.”
—Raymond Chandler (1888–1959)
“Addison DeWitt: Your next move, it seems to me, should be toward television.
Miss Caswell: Tell me this. Do they have auditions for television?
Addison DeWitt: That’s all television is, my dear. Nothing but auditions.”
—Joseph L. Mankiewicz (1909–1993)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“High from the summit of a craggy cliff,
Hung o’er the deep, such as amazing frowns
On utmost Kilda’s shore, whose lonely race
Resign the setting sun to Indian worlds,
The royal eagle draws his vigorous young”
—James Thomson (1700–1748)