List Of American Television Series By Setting
This is a list of American television series arranged by their setting.
Read more about List Of American Television Series By Setting: Alabama, Alaska, Albuquerque, Arizona, Atlanta, Baltimore, Boston, Buffalo, NY, Chicago, Cincinnati, Cleveland, Cocoa Beach, Florida, Colorado, Columbus, Dallas, Denver, Detroit, Evening Shade, Arkansas, Fort Worth, Hartford, Honolulu, Houston, Indianapolis, Kansas City, Las Vegas, Lima, Ohio, Los Angeles, Memphis, Miami, Milwaukee, Minneapolis – Saint Paul, Monterey County, California, Nantucket, New Orleans, New York City and Metro Area, North Carolina, Oklahoma City, Orange County, California, Overland Park, Kansas, Palm Springs, California, Peekskill, New York, Philadelphia, Pittsburgh, Portland, Oregon, Providence, Roswell, Sacramento, Saint Louis, San Diego, San Francisco, San Juan, Puerto Rico, Santa Barbara, California, Santa Monica, Scranton, Pennsylvania, Seaside Heights, New Jersey, Seattle, Sunnyvale, California, Tampa, Florida, Washington, D.C. and The Metropolitan Area, Westport, Connecticut
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“Love’s boat has been shattered against the life of everyday. You and I are quits, and it’s useless to draw up a list of mutual hurts, sorrows, and pains.”
—Vladimir Mayakovsky (1893–1930)
“I made a list of things I have
to remember and a list
of things I want to forget,
but I see they are the same list.”
—Linda Pastan (b. 1932)
“There is nothing the matter with Americans except their ideals. The real American is all right; it is the ideal American who is all wrong.”
—Gilbert Keith Chesterton (1874–1936)
“Television is an excellent system when one has nothing to lose, as is the case with a nomadic and rootless country like the United States, but in Europe the affect of television is that of a bulldozer which reduces culture to the lowest possible denominator.”
—Marc Fumaroli (b. 1932)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“A fit abode for a poet. Stage setting at least correct.”
—Ezra Pound (1885–1972)