List Of American Television Series By Setting
This is a list of American television series arranged by their setting.
Read more about List Of American Television Series By Setting: Alabama, Alaska, Albuquerque, Arizona, Atlanta, Baltimore, Boston, Buffalo, NY, Chicago, Cincinnati, Cleveland, Cocoa Beach, Florida, Colorado, Columbus, Dallas, Denver, Detroit, Evening Shade, Arkansas, Fort Worth, Hartford, Honolulu, Houston, Indianapolis, Kansas City, Las Vegas, Lima, Ohio, Los Angeles, Memphis, Miami, Milwaukee, Minneapolis – Saint Paul, Monterey County, California, Nantucket, New Orleans, New York City and Metro Area, North Carolina, Oklahoma City, Orange County, California, Overland Park, Kansas, Palm Springs, California, Peekskill, New York, Philadelphia, Pittsburgh, Portland, Oregon, Providence, Roswell, Sacramento, Saint Louis, San Diego, San Francisco, San Juan, Puerto Rico, Santa Barbara, California, Santa Monica, Scranton, Pennsylvania, Seaside Heights, New Jersey, Seattle, Sunnyvale, California, Tampa, Florida, Washington, D.C. and The Metropolitan Area, Westport, Connecticut
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—Charlotte Bunch (b. 1944)
“Lastly, his tomb
Shall list and founder in the troughs of grass
And none shall speak his name.”
—Karl Shapiro (b. 1913)
“The American mood, perhaps even the American character, has changed. There are few manifestations any longer of the old American self-assurance which so irritated Dickens.... Instead, there is a sense of frustration so perceptible that even our politicians ... have attempted to exploit it.”
—Archibald MacLeish (1892–1982)
“There was a girl who was running the traffic desk, and there was a woman who was on the overnight for radio as a producer, and my desk assistant was a woman. So when the world came to an end, we took over.”
—Marya McLaughlin, U.S. television newswoman. As quoted in Women in Television News, ch. 3, by Judith S. Gelfman (1976)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“The trees stand in the setting sun,
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Regard the cavalcade of sin,
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—Philip Larkin (1922–1986)