List Of American Television Series By Setting
This is a list of American television series arranged by their setting.
Read more about List Of American Television Series By Setting: Alabama, Alaska, Albuquerque, Arizona, Atlanta, Baltimore, Boston, Buffalo, NY, Chicago, Cincinnati, Cleveland, Cocoa Beach, Florida, Colorado, Columbus, Dallas, Denver, Detroit, Evening Shade, Arkansas, Fort Worth, Hartford, Honolulu, Houston, Indianapolis, Kansas City, Las Vegas, Lima, Ohio, Los Angeles, Memphis, Miami, Milwaukee, Minneapolis – Saint Paul, Monterey County, California, Nantucket, New Orleans, New York City and Metro Area, North Carolina, Oklahoma City, Orange County, California, Overland Park, Kansas, Palm Springs, California, Peekskill, New York, Philadelphia, Pittsburgh, Portland, Oregon, Providence, Roswell, Sacramento, Saint Louis, San Diego, San Francisco, San Juan, Puerto Rico, Santa Barbara, California, Santa Monica, Scranton, Pennsylvania, Seaside Heights, New Jersey, Seattle, Sunnyvale, California, Tampa, Florida, Washington, D.C. and The Metropolitan Area, Westport, Connecticut
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“Feminism is an entire world view or gestalt, not just a laundry list of women’s issues.”
—Charlotte Bunch (b. 1944)
“My list of things I never pictured myself saying when I pictured myself as a parent has grown over the years.”
—Polly Berrien Berends (20th century)
“Lincoln becomes the American solar myth, the chief butt of American credulity and sentimentality.”
—H.L. (Henry Lewis)
“History is not what you thought. It is what you can remember. All other history defeats itself.
In Beverly Hills ... they don’t throw their garbage away. They make it into television shows.
Idealism is the despot of thought, just as politics is the despot of will.”
—Mikhail Bakunin (1814–1876)
“Depression moods lead, almost invariably, to accidents. But, when they occur, our mood changes again, since the accident shows we can draw the world in our wake, and that we still retain some degree of power even when our spirits are low. A series of accidents creates a positively light-hearted state, out of consideration for this strange power.”
—Jean Baudrillard (b. 1929)
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)