This is a list of films which have placed number one at the weekend box office in the United States during 1995.
| # | Weekend end date | Film | Total weekend gross | Notes |
|---|---|---|---|---|
| 1 | 01995-01-08January 8, 1995 | Dumb and Dumber | $9,177,151 | |
| 2 | 01995-01-16January 16, 19954-day weekend | Legends of the Fall | $14,038,128 | Legends of the Fall reached #1 in its fifth weekend of limited release. |
| 3 | 01995-01-22January 22, 1995 | Legends of the Fall | $9,006,330 | |
| 4 | 01995-01-29January 29, 1995 | Legends of the Fall | $6,309,990 | |
| 5 | 01995-02-05February 5, 1995 | Legends of the Fall | $5,111,888 | |
| 6 | 01995-02-12February 12, 1995 | Billy Madison | $6,639,080 | |
| 7 | 01995-02-20February 20, 19954-day weekend | The Brady Bunch Movie | $14,827,066 | |
| 8 | 01995-02-26February 26, 1995 | The Brady Bunch Movie | $8,379,037 | |
| 9 | 01995-03-05March 5, 1995 | Man of the House | $9,473,317 | |
| 10 | 01995-03-12March 12, 1995 | Outbreak | $13,420,387 | |
| 11 | 01995-03-19March 19, 1995 | Outbreak | $10,808,607 | |
| 12 | 01995-03-26March 26, 1995 | Outbreak | $8,006,220 | |
| 13 | 01995-04-02April 2, 1995 | Tommy Boy | $8,027,843 | |
| 14 | 01995-04-09April 9, 1995 | Bad Boys | $15,523,358 | |
| 15 | 01995-04-16April 16, 1995 | Bad Boys | $11,016,040 | |
| 16 | 01995-04-23April 23, 1995 | While You Were Sleeping | $9,288,915 | |
| 17 | 01995-04-30April 30, 1995 | While You Were Sleeping | $10,491,714 | |
| 18 | 01995-05-07May 7, 1995 | French Kiss | $9,018,022 | |
| 19 | 01995-05-14May 14, 1995 | Crimson Tide | $18,612,190 | |
| 20 | 01995-05-21May 21, 1995 | Die Hard with a Vengeance | $22,162,245 | |
| 21 | 01995-05-28May 28, 1995 | Casper | $16,840,385 | |
| 22 | 01995-06-04June 4, 1995 | Casper | $13,409,610 | |
| 23 | 01995-06-11June 11, 1995 | Congo | $24,642,539 | |
| 24 | 01995-06-18June 18, 1995 | Batman Forever | $52,784,433 | Batman Forever broke Jurassic Park's records ($47.0 mil) for the highest weekend debut of all time, and for the highest weekend debut in June. Batman Forever was the first film ever to gross more than $50 millions in one weekend (3 days) and had the highest weekend debut of 1995 and broke Batman Returns record ($45.6 million) for highest weekend debut for a Superhero film. |
| 25 | 01995-06-25June 25, 1995 | Pocahontas | $29,531,619 | |
| 26 | 01995-07-02July 2, 1995 | Apollo 13 | $25,353,380 | |
| 27 | 01995-07-09July 9, 1995 | Apollo 13 | $19,635,095 | |
| 28 | 01995-07-16July 16, 1995 | Apollo 13 | $15,630,650 | |
| 29 | 01995-07-23July 23, 1995 | Apollo 13 | $12,457,260 | |
| 30 | 01995-07-30July 30, 1995 | Waterworld | $21,171,780 | |
| 31 | 01995-08-06August 6, 1995 | Waterworld | $13,452,035 | |
| 32 | 01995-08-13August 13, 1995 | Dangerous Minds | $14,931,503 | |
| 33 | 01995-08-20August 20, 1995 | Mortal Kombat | $23,283,887 | Mortal Kombat broke Street Fighter''s record ($9 million) for the highest weekend debut of a video game adaptation. |
| 34 | 01995-08-27August 27, 1995 | Mortal Kombat | $10,309,925 | |
| 35 | 01995-09-04September 4, 19954-day weekend | Mortal Kombat | $8,288,323 | |
| 36 | 01995-09-10September 10, 1995 | To Wong Foo, Thanks for Everything! Julie Newmar | $9,019,180 | |
| 37 | 01995-09-17September 17, 1995 | To Wong Foo, Thanks for Everything! Julie Newmar | $6,544,960 | |
| 38 | 01995-09-24September 24, 1995 | Seven | $13,949,807 | |
| 39 | 01995-10-01October 1, 1995 | Seven | $12,378,647 | |
| 40 | 01995-10-08October 8, 1995 | Seven | $10,421,517 | |
| 41 | 01995-10-15October 15, 1995 | Seven | $8,645,354 | |
| 42 | 01995-10-22October 22, 1995 | Get Shorty | $12,700,007 | |
| 43 | 01995-10-29October 29, 1995 | Get Shorty | $10,202,007 | |
| 44 | 01995-11-05November 5, 1995 | Get Shorty | $9,700,007 | |
| 45 | 01995-11-12November 12, 1995 | Ace Ventura: When Nature Calls | $37,804,076 | |
| 46 | 01995-11-19November 19, 1995 | GoldenEye | $26,205,007 | |
| 47 | 01995-11-26November 26, 1995 | Toy Story | $29,140,617 | |
| 48 | 01995-12-03December 3, 1995 | Toy Story | $20,164,662 | |
| 49 | 01995-12-10December 10, 1995 | Toy Story | $13,879,803 | |
| 50 | 01995-12-17December 17, 1995 | Jumanji | $11,084,370 | |
| 51 | 01995-12-25December 25, 19954-day weekend | Waiting to Exhale | $14,126,927 | - |
Famous quotes containing the words list of, united states, list, box, office, number-one, films, united and/or states:
“A mans interest in a single bluebird is worth more than a complete but dry list of the fauna and flora of a town.”
—Henry David Thoreau (18171862)
“The parallel between antifeminism and race prejudice is striking. The same underlying motives appear to be at work, namely fear, jealousy, feelings of insecurity, fear of economic competition, guilt feelings, and the like. Many of the leaders of the feminist movement in the nineteenth-century United States clearly understood the similarity of the motives at work in antifeminism and race discrimination and associated themselves with the anti slavery movement.”
—Ashley Montagu (b. 1905)
“Modern tourist guides have helped raised tourist expectations. And they have provided the nativesfrom Kaiser Wilhelm down to the villagers of Chichacestenangowith a detailed and itemized list of what is expected of them and when. These are the up-to- date scripts for actors on the tourists stage.”
—Daniel J. Boorstin (b. 1914)
“It all ended with the circuslike whump of a monstrous box on the ear with which I knocked down the traitress who rolled up in a ball where she had collapsed, her eyes glistening at me through her spread fingersall in all quite flattered, I think. Automatically, I searched for something to throw at her, saw the china sugar bowl I had given her for Easter, took the thing under my arm and went out, slamming the door.”
—Vladimir Nabokov (18991977)
“We need more of the Office Desk and less of the Show Window in politics. Let men in office substitute the midnight oil for the limelight.”
—Calvin Coolidge (18721933)
“Im your number-one fan.”
—William Goldman (b. 1931)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“Fortunately, the time has long passed when people liked to regard the United States as some kind of melting pot, taking men and women from every part of the world and converting them into standardized, homogenized Americans. We are, I think, much more mature and wise today. Just as we welcome a world of diversity, so we glory in an America of diversityan America all the richer for the many different and distinctive strands of which it is woven.”
—Hubert H. Humphrey (19111978)
“I do seriously believe that if we can measure among the States the benefits resulting from the preservation of the Union, the rebellious States have the larger share. It destroyed an institution that was their destruction. It opened the way for a commercial life that, if they will only embrace it and face the light, means to them a development that shall rival the best attainments of the greatest of our States.”
—Benjamin Harrison (18331901)