List of 1990 Box Office Number-one Films in The United States

This is a list of films which have placed number one at the weekend box office in the United States during 1990.

# Weekend End Date Film Box Office Notes
1 01990-01-07January 7, 1990 Born on the Fourth of July $11,023,650 Born on the Fourth of July reached #1 in its fourth weekend of release.
2 01990-01-14January 14, 1990 Born on the Fourth of July $8,028,075
3 01990-01-21January 21, 1990 Born on the Fourth of July $6,228,360
4 01990-01-28January 28, 1990 Driving Miss Daisy $5,705,721 Driving Miss Daisy reached #1 in its seventh weekend of release.
5 01990-02-04February 4, 1990 Driving Miss Daisy $6,011,600
6 01990-02-11February 11, 1990 Hard to Kill $9,213,631
7 01990-02-19February 19, 19904-day weekend Driving Miss Daisy $9,834,744 Driving Miss Daisy reclaimed #1 in its ninth weekend of release.
8 01990-02-25February 25, 1990 Driving Miss Daisy $6,107,836
9 01990-03-04March 4, 1990 The Hunt for Red October $17,161,835
10 01990-03-11March 11, 1990 The Hunt for Red October $14,058,772
11 01990-03-18March 18, 1990 The Hunt for Red October $11,077,359
12 01990-03-25March 25, 1990 Pretty Woman $11,280,591
13 01990-04-01April 1, 1990 Teenage Mutant Ninja Turtles $25,398,367
14 01990-04-08April 8, 1990 Teenage Mutant Ninja Turtles $18,813,741
15 01990-04-15April 15, 1990 Teenage Mutant Ninja Turtles $14,064,921
16 01990-04-22April 22, 1990 Teenage Mutant Ninja Turtles $9,797,376
17 01990-04-29April 29, 1990 Pretty Woman $7,150,551 Pretty Woman reclaimed #1 in its sixth weekend of release.
18 01990-05-06May 6, 1990 Pretty Woman $6,810,883
19 01990-05-13May 13, 1990 Pretty Woman $7,594,013
20 01990-05-20May 20, 1990 Bird on a Wire $15,338,160
21 01990-05-28May 28, 19904-day weekend Back to the Future Part III $23,703,060
22 01990-06-03June 3, 1990 Total Recall $25,533,700 Total Recall had the highest weekend debut of 1990.
23 01990-06-10June 10, 1990 Another 48 Hrs. $19,475,559
24 01990-06-17June 17, 1990 Dick Tracy $22,543,911
25 01990-06-24June 24, 1990 Dick Tracy $15,546,837
26 01990-07-01July 1, 1990 Days of Thunder $15,490,445
27 01990-07-08July 8, 1990 Die Hard 2 $21,744,661
28 01990-07-15July 15, 1990 Die Hard 2 $14,512,301
29 01990-07-22July 22, 1990 Ghost $12,523,295 Ghost reached #1 in its second weekend of release.
30 01990-07-29July 29, 1990 Presumed Innocent $11,718,981
31 01990-08-05August 5, 1990 Ghost $10,798,834 Ghost reclaimed #1 in fourth weekend of release.
32 01990-08-12August 12, 1990 Flatliners $10,034,685
33 01990-08-19August 19, 1990 The Exorcist III $9,312,219
34 01990-08-26August 26, 1990 Darkman $8,054,860
35 01990-09-03September 3, 19904-day weekend Ghost $9,953,630 Ghost reclaimed #1 in eighth weekend of release.
36 01990-09-09September 9, 1990 Ghost $6,510,023
37 01990-09-16September 16, 1990 Postcards from the Edge $7,871,856
38 01990-09-23September 23, 1990 Goodfellas $6,368,901
39 01990-09-30September 30, 1990 Pacific Heights $6,912,637
40 01990-10-08October 8, 19904-day weekend Marked for Death $11,790,047
41 01990-10-14October 14, 1990 Marked for Death $7,423,949
42 01990-10-21October 21, 1990 Marked for Death $5,097,944
43 01990-10-28October 28, 1990 Graveyard Shift $5,082,300
44 01990-11-04November 4, 1990 Jacob's Ladder $7,500,760
45 01990-11-11November 11, 1990 Child's Play 2 $10,718,520
46 01990-11-18November 18, 1990 Home Alone $17,081,997
47 01990-11-25November 25, 1990 Home Alone $20,987,761
48 01990-12-02December 2, 1990 Home Alone $14,386,876
49 01990-12-09December 9, 1990 Home Alone $14,232,156
50 01990-12-16December 16, 1990 Home Alone $11,617,249
51 01990-12-25December 25, 19905-day weekend Home Alone $15,079,919
52 01991-01-01January 1, 19915-day weekend Home Alone $25,148,406

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    “A man’s interest in a single bluebird is worth more than a complete but dry list of the fauna and flora of a town.”
    —Henry David Thoreau (1817–1862)

    “Fortunately, the time has long passed when people liked to regard the United States as some kind of melting pot, taking men and women from every part of the world and converting them into standardized, homogenized Americans. We are, I think, much more mature and wise today. Just as we welcome a world of diversity, so we glory in an America of diversity—an America all the richer for the many different and distinctive strands of which it is woven.”
    —Hubert H. Humphrey (1911–1978)

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    —Lawrence Kutner (20th century)

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    —David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)

    “Fortunately, the time has long passed when people liked to regard the United States as some kind of melting pot, taking men and women from every part of the world and converting them into standardized, homogenized Americans. We are, I think, much more mature and wise today. Just as we welcome a world of diversity, so we glory in an America of diversity—an America all the richer for the many different and distinctive strands of which it is woven.”
    —Hubert H. Humphrey (1911–1978)

    “... no young colored person in the United States today can truthfully offer as an excuse for lack of ambition or aspiration that members of his race have accomplished so little, he is discouraged from attempting anything himself. For there is scarcely a field of human endeavor which colored people have been allowed to enter in which there is not at least one worthy representative.”
    —Mary Church Terrell (1863–1954)