A Flourishing Art Form: 17th and 18th Centuries
In the 17th and 18th centuries, line engraving made no new development. Instead, it flourished around the established techniques and principles. English and French artists began to use the technique, with the English learning primarily from the Germans (led by Rubens), and the French from the Italians (Raphael). There was, however, a good deal of cross-influence among all involved traditions.
Sir Robert Strange, as many other English engravers, made it his study to soften and lose the outline, specifically in figure-engraving. Meanwhile, Gerard Audran (d. 1703) led the Renaissance school in perfecting the art of modeling with the burin.
Read more about this topic: Line Engraving
Famous quotes containing the words flourishing, art and/or centuries:
“... city areas with flourishing diversity sprout strange and unpredictable uses and peculiar scenes. But this is not a drawback of diversity. This is the point ... of it.”
—Jane Jacobs (b. 1916)
“The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.”
—Walter Benjamin (1892–1940)
“A great wind swept over the ghetto, carrying away shame, invisibility and four centuries of humiliation. But when the wind dropped people saw it had been only a little breeze, friendly, almost gentle.”
—Jean Genet (1910–1986)