Statue
|
IN THIS TEMPLE |
| Epitaph above Abraham Lincoln |
Lying between the north and south chambers is the central hall containing the solitary figure of Lincoln sitting in contemplation. The statue was carved by the Piccirilli Brothers under the supervision of the sculptor, Daniel Chester French, and took four years to complete. The statue, originally intended to be only 10 feet (3.0 m) tall, was, on further consideration, enlarged so that it finally stood 19 feet (5.8 m) tall from head to foot, the scale being such that if Lincoln were standing, he would be 28 feet (8.5 m) tall. The extreme width of the statue is the same as its height. The Georgia white marble sculpture weighs 175 short tons (159 t) and had to be shipped in 28 separate pieces.
The statue rests upon an oblong pedestal of Tennessee marble 10 feet (3.0 m) high, 16 feet (4.9 m) wide, and 17 feet (5.2 m) deep. Directly beneath this lies a platform of Tennessee marble about 34.5 feet (10.5 m) long, 28 feet (8.5 m) wide, and 6.5 inches (0.17 m) high. Lincoln's arms rest on representations of Roman fasces, a subtle touch that associates the statue with the Augustan (and imperial) theme (obelisk and funerary monuments) of the Washington Mall. The statue is discretely bordered by two pilasters, one on each side. Between these pilasters and above Lincoln's head stands the engraved epitaph, composed by Royal Cortissoz, shown in the box to the left.
Read more about this topic: Lincoln Memorial
Famous quotes containing the word statue:
“The consolations of space are nameless things.
It was after the neurosis of winter. It was
In the genius of summer that they blew up
The statue of Jove among the boomy clouds.
It took all day to quieten the sky
And then to refill its emptiness again....”
—Wallace Stevens (1879–1955)
“where the Statue stood
Of Newton, with his Prism and silent Face
The marble index of a Mind for ever
Voyaging through strange seas of Thought, alone.”
—William Wordsworth (1770–1850)
“Only he who can view his own past as an abortion sprung from compulsion and need can use it to full advantage in the present. For what one has lived is at best comparable to a beautiful statue which has had all its limbs knocked off in transit, and now yields nothing but the precious block out of which the image of one’s future must be hewn.”
—Walter Benjamin (1892–1940)