Film and Television Programmes Using Lightwave
A more comprehensive list can be found at the Lightwave website. Some notable highlights are:
- Jurassic Park (1993 Visual Effects Academy Award)
- Babylon 5 (1993 Visual Effects Emmy Award)
- seaQuest DSV (1993–1996)
- Battlestar Galactica (2007, 2008 Visual Effects Emmy Award)
- Frank Herbert's Dune (2001 Visual Effects Emmy Award)
- Frank Herbert's Children of Dune (2003 Visual Effects Emmy Award)
- Jimmy Neutron: Boy Genius (2002 Academy Award nominee)
- The Adventures of Jimmy Neutron: Boy Genius (spinoff TV series of the film Jimmy Neutron: Boy Genius, 2002–2006)
- Lost (2005 Visual Effects Emmy Award; 2004–2010)
- Stargate SG-1 (Emmy Award nominee; 1997–2007)
- Star Trek: Deep Space Nine (1993–1999)
- Star Trek: Enterprise (Emmy Award nominee) (2001–2005)
- Star Trek: Voyager (1999, 2001 Visual Effects Emmy Award)
- Titanic (1997 Visual Effects Academy Award)
- The X-Files (2000 Visual Effects Emmy Award)
- Pan's Labyrinth (2006)
- Avatar (2010 Visual Effects and Art Direction Academy Awards)
- Invader Zim (2001)
- Finding Nemo (2003)
- 24 (2001–2010)
- 300 (2007)
- Iron Man (2008)
- The Outer Limits (1995–2002)
- Animal Armageddon (2009 documentary TV series created 100% in LightWave 3D)
- Ni Hao, Kai-Lan (2008–present)
- V (2009–2011)
- Iron Sky (2006–2012)
Read more about this topic: LightWave 3D
Famous quotes containing the words film and, film and/or television:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)
“Television is an excellent system when one has nothing to lose, as is the case with a nomadic and rootless country like the United States, but in Europe the affect of television is that of a bulldozer which reduces culture to the lowest possible denominator.”
—Marc Fumaroli (b. 1932)