Film and Television Programmes Using Lightwave
A more comprehensive list can be found at the Lightwave website. Some notable highlights are:
- Jurassic Park (1993 Visual Effects Academy Award)
- Babylon 5 (1993 Visual Effects Emmy Award)
- seaQuest DSV (1993–1996)
- Battlestar Galactica (2007, 2008 Visual Effects Emmy Award)
- Frank Herbert's Dune (2001 Visual Effects Emmy Award)
- Frank Herbert's Children of Dune (2003 Visual Effects Emmy Award)
- Jimmy Neutron: Boy Genius (2002 Academy Award nominee)
- The Adventures of Jimmy Neutron: Boy Genius (spinoff TV series of the film Jimmy Neutron: Boy Genius, 2002–2006)
- Lost (2005 Visual Effects Emmy Award; 2004–2010)
- Stargate SG-1 (Emmy Award nominee; 1997–2007)
- Star Trek: Deep Space Nine (1993–1999)
- Star Trek: Enterprise (Emmy Award nominee) (2001–2005)
- Star Trek: Voyager (1999, 2001 Visual Effects Emmy Award)
- Titanic (1997 Visual Effects Academy Award)
- The X-Files (2000 Visual Effects Emmy Award)
- Pan's Labyrinth (2006)
- Avatar (2010 Visual Effects and Art Direction Academy Awards)
- Invader Zim (2001)
- Finding Nemo (2003)
- 24 (2001–2010)
- 300 (2007)
- Iron Man (2008)
- The Outer Limits (1995–2002)
- Animal Armageddon (2009 documentary TV series created 100% in LightWave 3D)
- Ni Hao, Kai-Lan (2008–present)
- V (2009–2011)
- Iron Sky (2006–2012)
Read more about this topic: LightWave 3D
Famous quotes containing the words film and television, film and/or television:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)
“So why do people keep on watching? The answer, by now, should be perfectly obvious: we love television because television brings us a world in which television does not exist. In fact, deep in their hearts, this is what the spuds crave most: a rich, new, participatory life.”
—Barbara Ehrenreich (b. 1941)