Performance
LWPs are slower and more expensive to create than user threads. Whenever an LWP is created a system call must first be made to create a corresponding kernel thread, causing a switch to kernel mode. These mode switches would typically involve copying parameters between kernel and user space, also the kernel may need to have extra steps to verify the parameters to check for invalid behaviour. A context switch between LWPs means that the LWP that is being pre-empted has to save its registers, then go into kernel mode for the kernel thread to save its registers, and the LWP that is being scheduled must restore the kernel and user registers separately also.
For this reason, some user level thread libraries allow multiple user threads to be implemented on top of LWPs. User threads can be created, destroyed, synchronized and switched between entirely in user space without system calls and switches into kernel mode. This provides a significant performance improvement in thread creation time and context switches. However, there are difficulties in implementing a user level thread scheduler that works well together with the kernel.
Read more about this topic: Light-weight Process
Famous quotes containing the word performance:
“The child to be concerned about is the one who is actively unhappy, [in school].... In the long run, a childs emotional development has a far greater impact on his life than his school performance or the curriculums richness, so it is wise to do everything possible to change a situation in which a child is suffering excessively.”
—Dorothy H. Cohen (20th century)
“There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.”
—Roland Barthes (19151980)
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)