Life Studies - Content

Content

Part I of the book contains four poems that are similar in style and tone to the poems of Lowell's previous books, The Mills of the Kavanaughs and Lord Weary's Castle. They're well-polished, formal in their use of meter and rhyme, and fairly impersonal. This first section can be interpreted as a transition section, signaling Lowell's move away from Catholicism, as evidenced by the book's first poem, "Beyond the Alps," as well as a move away from the traditional, dense, more impersonal style of poetry that characterized Lowell's writing while he was still a practicing Catholic and closely associated with New Critical poets like Allen Tate and John Crowe Ransom. Notably, at a 1963 poetry reading at the Guggenheim Museum, Lowell introduced his reading of "Beyond the Alps" by stating that, " a declaration of my faith or lack of faith."

Part II contains only one piece which is titled "91 Revere Street" and is the first (and only) significant passage of prose to appear in one of Lowell's books. It centers, with intricate detail, on Lowell's childhood when his family was living in Boston's Beacon Hill neighborhood at 91 Revere Street. The piece, which is the longest one in the book, also focuses on his parents' marriage as well as young Lowell's relationship with his parents, other relatives, and his childhood peers. Notable characters in the piece include Lowell's great-grandfather Mordecai Myers and his father's Navy buddy, Commander Billy Harkness.

"91 Revere Street" also sets the stage for the portraits of his family members in the book's final section. According to Ian Hamilton, one of Lowell's unofficial biographers, this section was begun as a potentially therapeutic assignment suggested by Lowell's therapist. Lowell also stated that this prose exercise led him to the stylistic breakthrough of the poems in Part IV. The apartment at 91 Revere Street in Beacon Hill still exists and is noted by a Boston historical marker as Lowell's childhood home.

Part III contains odes to four writers: Hart Crane, Delmore Schwartz, George Santayana, and Ford Madox Ford. At the time that Lowell published these poems, only Schwartz was still alive, and with the exception of Hart Crane, Lowell knew all of them personally and considered them to be mentors at different stages of his career.

Part IV contains the majority of the book's poems and is given the subheading of "Life Studies." These poems are the ones that critics refer to as "confessional." These "confessional" poems are the ones that document Lowell's struggle with mental illness and include pieces like "Skunk Hour", "Home After Three Months Away" and "Waking in the Blue." However, the majority of the poems in this section revolve around Lowell's family with a particular emphasis on the troubled marriage of his parents (as Lowell established in Part II). Lowell's maternal grandfather, Arthur Winslow, also receives significant attention in poems like "Dunbarton" and "Grandparents."