Music Career
In 1973, Liam co-founded the Irish traditional music group Planxty and remained a member throughout the band's various incarnations. While Seán Ó Riada and The Chieftains had reinvigorated Irish traditional instrumental music in an ensemble format during the 1960s, Planxty built on that foundation and took it one step further. They brought a punch and vitality to acoustic music that drew heavily on O'Flynn's piping virtuosity.
As Liam grew in his skill as a musician, and as he began to meet legendary piper figures like Willie Clancy and Seamus Ennis, he became acutely aware of his position in the tradition of piping. His subsequent close friendship with Seamus Ennis (which began as a Master/pupil relationship) taught him that there was much more to being a piper than playing tunes. Liam noted, "Seamus Ennis gave me much more than a bag of notes."
When I'm playing, I'm certainly lost within it. The only way to describe it, is that it's like looking inwards. I think when a performer engages with the audience, and vice versa, it's like a spell is cast and a terrific passage of feelings moves from the musician to the audience and back again.Following the breakup of Planxty in 1983, Liam found work as a session musician with such prominent artists as the Everly Brothers, Enya, Kate Bush, Nigel Kennedy, Rita Connolly, and Mark Knopfler. He also worked on film scores, including Kidnapped (1979) and A River Runs Through It (1992). He was adventurous enough to work with avant-garde composer John Cage, but his most natural alliance was with neo-romantic composer Shaun Davey.
The Bothy Band were natural successors to the original Planxty, and one of its members, Matt Molloy, who subsequently joined The Chieftains, played with The Chieftains' fiddler Seán Keane on O'Flynn's album, The Piper's Call, which was performed in the 1999 Proms season at the Royal Albert Hall. He has also worked on projects with Seamus Heaney, mixing poetry with music.
His name is mentioned in the song "Lisdoonvarna" by Christy Moore
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