Lets Get Killed - Critical Reception

Critical Reception

Professional ratings
Review scores
Source Rating
Allmusic
Rolling Stone

Lets Get Killed was well-received by critics in general, and the dance music press in particular. Both Jockey Slut and Mixmag awarded it Album of the Month, whilst DJ Magazine gave it a rating of 10/10.

The NME said, "Holmes both evokes the endless possibilities, claustrophobia and madness of The Big Apple and offers a critique....Not bad at all for a trendy DJ", and placed it number 40 in the 1997 Critics Poll. Melody Maker also included it in their end of year poll, this time at number 24.

Rolling Stone magazine and Allmusic both gave the album 3 stars out of 5, with Allmusic saying the "effect created is like that of a soundtrack, and even though Lets Get Killed isn't attached to a film, it flows with energy and grace".

Entertainment Weekly rated the album A-minus, saying "Holmes loves airy cinematic beauty, but he tempers it with frisky Latin percussion".

On the strength of the album, Holmes won Best Rock Artist at Ireland's National Entertainment Awards, the first time it was awarded to a dance artist.

Lets Get Killed was included in the book 1001 Albums You Must Hear Before You Die.

Read more about this topic:  Lets Get Killed

Famous quotes containing the words critical and/or reception:

    From whichever angle one looks at it, the application of racial theories remains a striking proof of the lowered demands of public opinion upon the purity of critical judgment.
    Johan Huizinga (1872–1945)

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)