Influence
Les Cousins was described by Roy Harper as "a spawning ground" for musical talent. In similar vein, Ian Anderson (editor of fRoots) said "...the music got so exciting, 'cause everybody listened to everybody else. So although you might choose to just play one thing, at the same time, you had an open mind for something else."
Notable performers included Alexis Korner, Ralph McTell, Sandy Denny, Bert Jansch, Alex Campbell, Wizz Jones, Paul Simon, Joni Mitchell, Nick Drake, Al Stewart, Long John Baldry, The Incredible String Band, John Martyn, Cat Stevens, Jackson C. Frank, Martin Carthy, Linda Thompson, Julie Felix, Bridget St John, Donovan, Bob Dylan, The Watersons, Arlo Guthrie, Stephane Grappelli & Diz Disley, Davey Graham, Spider John Koerner, Tom Rush, among others.
On 24 November 2004, "Les Cousins" was reopened for a special Nick Drake tribute, to celebrate his brief but influential career.
As of 2007, a club in Oxford, at the Holywell Music Room, calls itself "Les Cousins".
Read more about this topic: Les Cousins (music Club)
Famous quotes containing the word influence:
“The question of place and climate is most closely related to the question of nutrition. Nobody is free to live everywhere; and whoever has to solve great problems that challenge all his strength actually has a very restricted choice in this matter. The influence of climate on our metabolism, its retardation, its acceleration, goes so far that a mistaken choice of place and climate can not only estrange a man from his task but can actually keep it from him: he never gets to see it.”
—Friedrich Nietzsche (1844–1900)
“Important as fathers are, their influence on children shouldn’t be exaggerated just because they were ignored so long. There is no evidence that there is something especially good about fathers as caretakers. There are no areas where it can be said that fathers must do certain things in order to achieve certain outcomes in children. The same goes for mothers.”
—Michael Lamb (late–20th century)
“I think of consciousness as a bottomless lake, whose waters seem transparent, yet into which we can clearly see but a little way. But in this water there are countless objects at different depths; and certain influences will give certain kinds of those objects an upward influence which may be intense enough and continue long enough to bring them into the upper visible layer. After the impulse ceases they commence to sink downwards.”
—Charles Sanders Peirce (1839–1914)