Leroy Anderson - Works

Works

  • Alma Mater (1954)
    1. Chapel Bells
    2. Freshman on Main Street
    3. Library Reading Room
    4. Class Reunion
  • Arietta (1962)
  • Balladette (1962)
  • Belle of the Ball (1951)
  • Birthday Party (1970)
  • Blue Tango (1951)
  • Bugler's Holiday (1954)
  • Cambridge Centennial March of Industry (1946) (written for organ)
  • Captains and the Kings, The (1962)
  • Chatterbox (1966)
  • Chicken Reel (1946)
  • China Doll (1951)
  • Christmas Festival, A (1950) (original version was 9:00, later shortened in 1952 to 5:45)
  • Clarinet Candy (1962)
  • Classical Jukebox (1950)
  • Concerto in C Major for Piano and Orchestra (1953) (withdrawn by the composer, and released posthumously)
  • Cowboy and His Horse, The (1966)
  • Do You Think That Love Is Here To Stay? (1935)
  • Easter Song (194-) (written for organ)
  • Fiddle-Faddle (1947)
  • First Day of Spring, The (1954)
  • Forgotten Dreams (1954)
  • Girl in Satin, The (1953)
  • Golden Years, The (1962)
  • Goldilocks (musical) (1958) (some numbers in the Suite did not appear in the original musical, and some numbers from the musical are not in this Suite)
    1. Overture (1958)
    2. Come to Me (1958)
    3. Guess Who (1958)
    4. Heart of Stone (Pyramid Dance) (1958)
    5. He'll Never Stray (1958)
    6. Hello (1958)
    7. If I Can't Take it With Me (1958)
    8. I Never Know When to Say When (1958)
    9. Lady in Waiting (1958)
    10. Lazy Moon (1958)
    11. Little Girls (1958)
    12. My Last Spring (1958)
    13. Save a Kiss (1958)
    14. Shall I Take My Heart and Go? (1958)
    15. Tag-a-long Kid (1958)
    16. The Pussy Foot (1958)
    17. Town House Maxixe (1958)
    18. Who's Been Sitting in My Chair ? (1958)
  • Governor Bradford March (1948) (published posthumously)
  • Harvard Fantasy (1936)
  • Harvard Festival, A (1969)
  • Hens and Chickens (1966)
  • Home Stretch (1962)
  • Horse and Buggy (1951)
  • Irish Suite (1947 & 1949)
    1. The Irish Washerwoman (1947)
    2. The Minstrel Boy (1947)
    3. The Rakes of Mallow (1947)
    4. The Wearing of the Green (1949)
    5. The Last Rose of Summer (1947)
    6. The Girl I Left Behind Me (1949)
  • Jazz Legato (1938)
  • Jazz Pizzicato (1938)
  • Love May Come and Love May Go (1935)
  • Lullaby of the Drums (1970) (published posthumously)
  • March of the Two Left Feet (1970)
  • Melody on Two Notes (~1965)
  • Mother's Whistler (1940) (published posthumously)
  • Music in My Heart, The (1935)
  • Old Fashioned Song, An (196-)
  • Penny Whistle Song, The (1951)
  • Phantom Regiment, The (1951)
  • Piece for Rolf (1961)
  • Pirate Dance (1962) (optional SATB chorus)
  • Plink, Plank, Plunk! (1951)
  • Promenade (1945)
  • Pussy Foot Ballet Music, The (1962)
  • Sandpaper Ballet (1954)
  • Saraband (1948)
  • Scottish Suite (1954)
    1. The Bluebells of Scotland
    2. Turn Ye To Me
  • Second Regiment Connecticut National Guard March (1973)
  • Serenata (1947)
  • Sleigh Ride (1948)
  • Song of Jupiter (1951)
  • Song of the Bells (1953)
  • Suite of Carols for Brass (1955) (seven carols)
  • Suite of Carols for Strings (1955) (six carols)
  • Suite of Carols for Woodwinds (1955) (six carols)
  • Summer Skies (1953)
  • Syncopated Clock, The (1945)
  • Ticonderoga March (1939) (Anderson's only work written for concert band)
  • To a Wild Rose (1970) (arranged from the song by Edward MacDowell) (published posthumously)
  • Trumpeter's Lullaby, A (1949)
  • Typewriter, The (1950)
  • Waltz Around the Scale (1970)
  • Waltzing Cat, The (1950)
  • Wedding March for Jane and Peter (1972)
  • What's the Use of Love? (1935)
  • Whistling Kettle, The (~1965)
  • Woodbury Fanfare (1959) (for four trumpets)
  • You Can Always Tell a Harvard Man (1962)

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Famous quotes containing the word works:

    “I look on trade and every mechanical craft as education also. But let me discriminate what is precious herein. There is in each of these works an act of invention, an intellectual step, or short series of steps taken; that act or step is the spiritual act; all the rest is mere repetition of the same a thousand times.”
    —Ralph Waldo Emerson (1803–1882)

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    “A complete woman is probably not a very admirable creature. She is manipulative, uses other people to get her own way, and works within whatever system she is in.”
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