Leisure Painter Magazine

Leisure Painter is a learn-to-paint magazine, first published in 1967. It is published monthly by The Artists’ Publishing Company, based in Tenterden, Kent, and costs £3.30 from newsagents. The magazine's editor is Ingrid Lyon.

Leisure Painter magazine gives step-by-step tuition to beginners and amateur painters, as well as advice on drawing and painting. Art tutors - including David Bellamy, Ray Campbell Smith, Alwyn and June Crawshaw and Tony Paul - set projects, describe their working methods, and offer tips and hints for readers.

The magazine's articles include practical instruction on drawing and painting in different media; competitions and special offers; monthly critiques of readers' work; questions from readers answered; reports by art tutors on art materials, products, books and DVDs; updates on open competitions, exhibitions and art-related events; and workshops and holidays in the UK and abroad tutored by professional artists.

The magazine's website, Painters-Online, was launched in September 2007. Painters-Online is an online community, including a forum for sharing experiences and advice; blogs; a gallery to upload images of visitors’ drawings and paintings; and a searchable database of art clubs and art tutors.

Famous quotes containing the words leisure, painter and/or magazine:

    The secret of being miserable is to have leisure to bother about whether you are happy or not. The cure for it is occupation.
    George Bernard Shaw (1856–1950)

    A painter told me that nobody could draw a tree without in some sort becoming a tree; or draw a child by studying the outlines of its forms merely,—but by watching for a time his motions and plays, the painter enters into his nature and can then draw him at will in every attitude.
    Ralph Waldo Emerson (1803–1882)

    Any one who knows what the worth of family affection is among the lower classes, and who has seen the array of little portraits stuck over a labourer’s fireplace ... will perhaps feel with me that in counteracting the tendencies, social and industrial, which every day are sapping the healthier family affections, the sixpenny photograph is doing more for the poor than all the philanthropists in the world.
    —Macmillan’s Magazine (London, September 1871)