Leisure Painter Magazine

Leisure Painter is a learn-to-paint magazine, first published in 1967. It is published monthly by The Artists’ Publishing Company, based in Tenterden, Kent, and costs £3.30 from newsagents. The magazine's editor is Ingrid Lyon.

Leisure Painter magazine gives step-by-step tuition to beginners and amateur painters, as well as advice on drawing and painting. Art tutors - including David Bellamy, Ray Campbell Smith, Alwyn and June Crawshaw and Tony Paul - set projects, describe their working methods, and offer tips and hints for readers.

The magazine's articles include practical instruction on drawing and painting in different media; competitions and special offers; monthly critiques of readers' work; questions from readers answered; reports by art tutors on art materials, products, books and DVDs; updates on open competitions, exhibitions and art-related events; and workshops and holidays in the UK and abroad tutored by professional artists.

The magazine's website, Painters-Online, was launched in September 2007. Painters-Online is an online community, including a forum for sharing experiences and advice; blogs; a gallery to upload images of visitors’ drawings and paintings; and a searchable database of art clubs and art tutors.

Famous quotes containing the words leisure, painter and/or magazine:

    Actually, the laboring man has not leisure for a true integrity day by day; he cannot afford to sustain the manliest relations to men; his labor would be depreciated in the market.
    He has no time to be anything but a machine.
    Henry David Thoreau (1817–1862)

    When the sword of rebellion is drawn, the sheath should be thrown away.
    quoted in letter, Aug. 6, 1775, by painter John Singleton Copley on the subject of the American Revolution. British proverb.

    I long for a land that does not yet exist, a place where women are valued both for their intellects and their motherhood and where choices between career and nurturing are somehow less stark.
    —“Where Mothers Matter,” New York Times Magazine (February 20, 1994)