Leicester Silk Buckingham - Early Life

Early Life

Buckingham, the youngest son of James Silk Buckingham, the oriental traveller, and Elizabeth Jennings, was born at 11 Cornwall Terrace, Regent's Park, London, 29 June 1825. In his early life he was the companion of his father in visits made to America, France, and the East, and the experience thus acquired rendered his services valuable as a lecturer on several occasions.

When the Royal Panopticon (afterwards the Alhambra in Leicester Square) was originated in 1854 as a scientific institution, Buckingham was selected to write and deliver the explanatory description of the views of various countries, and more recently at the Egyptian Hall he was the lecturer engaged to illustrate Hamilton's Tour of Europe.

Connecting himself in early life with the stage he produced several light pieces at the Strand Theatre when that establishment was under Mr. J. Payne's direction in 1856–7, and for a short time undertook the responsibilities of management. Among the most successful comedies he afterwards wrote may be mentioned The Merry Widow, 1863; Silken Fetters, 1863; The Silver Lining, 1864; and Faces in the Fire, 1865.

Read more about this topic:  Leicester Silk Buckingham

Famous quotes containing the words early and/or life:

    We have good reason to believe that memories of early childhood do not persist in consciousness because of the absence or fragmentary character of language covering this period. Words serve as fixatives for mental images. . . . Even at the end of the second year of life when word tags exist for a number of objects in the child’s life, these words are discrete and do not yet bind together the parts of an experience or organize them in a way that can produce a coherent memory.
    Selma H. Fraiberg (20th century)

    Since the Greeks, Western man has believed that Being, all Being, is intelligible, that there is a reason for everything ... and that the cosmos is, finally, intelligible. The Oriental, on the other hand, has accepted his existence within a universe that would appear to be meaningless, to the rational Western mind, and has lived with this meaninglessness. Hence the artistic form that seems natural to the Oriental is one that is just as formless or formal, as irrational, as life itself.
    William Barrett (b. 1913)