Lee Patrick (saxophonist) - Compositions and Arrangements

Compositions and Arrangements

Patrick is widely known as an arranger of classical music for saxophone ensemble. Many of these publications have become part of the standard repertoire and are performed throughout the world. Several of his arrangements and compositions are published as "The Lee Patrick Saxophone Series" by Carl Fischer Music.

His original compositions include:

  • "Music for a Celebration" for two saxophones (of the same pitch family) (Carl Fischer)
  • "Jesse Clark Threesome" for saxophone trio (Carl Fischer)
  • "Shaker songs and dances" for saxophone trio (Carl Fisher)
  • (need titles and publishers)

His arrangements include:

  • "Solos for Alto Saxophone; 41 Recital Pieces with Piano Accompaniment" (Carl Fischer)
  • "Five Famous Handel Violin Sonatas Adapted for Alto Saxophone and Keyboard" (Carl Fischer)
  • Five Lyric Pieces by Edvard Grieg; arranged for tenor saxophone and piano (Carl Fisher)
  • Grave from D major cello concerto by Giuseppe Tartini; transcribed by Lee Patrick for E♭ alto or E♭ baritone saxophone and piano. (Carl Fisher)
  • "Lento affettuoso and giga" by James Oswald; transcribed for alto saxophone and keyboard (Ethos)
  • "Five centuries for saxophone quartet" compiled and arranged by Sigurd M. Rascher and Lee Patrick (Bourne)
  • "Four short pieces for saxophone quartet by Robert Schumann; arranged by Lee Patrick and Sigurd Rascher (Belwin)
  • (need titles and publishers)

Several of Lee Patrick's other arrangements and transcriptions for various combinations of saxophones are published by Belwin, Bourne, Theodore Presser, and Ethos.

Read more about this topic:  Lee Patrick (saxophonist)

Famous quotes containing the word arrangements:

    Autonomy means women defining themselves and the values by which they will live, and beginning to think of institutional arrangements which will order their environment in line with their needs.... Autonomy means moving out from a world in which one is born to marginality, to a past without meaning, and a future determined by others—into a world in which one acts and chooses, aware of a meaningful past and free to shape one’s future.
    Gerda Lerner (b. 1920)