Childhood and Early Life
Atwater was born in Atlanta, Georgia, to Harvey Dillard, an insurance adjustor, and Alma "Toddy" Page Atwater. He had two siblings, Ann and Joe. He grew up in Aiken, South Carolina, where his childhood was marred with tragedy when his three-year-old brother, Joe, was scalded to death, when he pulled a deep fryer full of hot oil on himself.
As a teenager in Columbia, South Carolina, Atwater played guitar in a rock band, The Upsetters Revue. Even at the height of his political power, he would often play concerts in clubs and church basements, solo or with B.B. King, in the Washington, D.C. area. He released an album called "Red, Hot And Blue" on Curb Records, featuring Carla Thomas, Isaac Hayes, Sam Moore, Chuck Jackson, and B.B. King, who got co-billing with Atwater. Robert Hilburn wrote about the album in the Los Angeles Times on April 5, 1990: "The most entertaining thing about this ensemble salute to spicy Memphis-style '50s and '60s R&B is the way it lets you surprise your friends. Play a selection such as 'Knock on Wood' or 'Bad Boy' for someone without identifying the singer, then watch their eyes bulge when you reveal that it's the controversial national chairman of the Republican Party... Lee Atwater."
During the 1960s Atwater briefly played backup guitar for Percy Sledge, and frequently played with bluesmen such as B.B. King.
In 1970, Atwater graduated from Newberry College, a small private Lutheran institution in Newberry, South Carolina, where he was a member of the Tau Kappa Epsilon fraternity. At Newberry, Atwater served as the governor of the South Carolina Student Legislature. Atwater earned a master of arts degree in communications from the University of South Carolina in 1977. Atwater married his wife, Sally Dunbar, in 1978; they had three children, Sara Lee, Ashley Page, and Sally Theodosia.
Read more about this topic: Lee Atwater
Famous quotes containing the words childhood, early and/or life:
“Indeed, my mothers beautiful face still shone with youthfulness that night when she so softly held my hands and sought to stop my tears; but, precisely, it seemed to me that this should not have happened, her anger would have saddened me less than this new sweetness that my childhood had never known; it seemed to me that, with a hidden and impious hand, I had just traced the first wrinkle and made appear the first grey hair in her soul.”
—Marcel Proust (18711922)
“In the course of twenty crowded years one parts with many illusions. I did not wish to lose the early ones. Some memories are realities, and are better than anything that can ever happen to one again.”
—Willa Cather (18731947)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (17401795)