Characters
Orange, the main protagonist of the series. He is a shy 15-year old boy. He and his parents live in the bottom part of a conjoined house with Kiwi and her mother as their upstairs neighbor. He is Kiwi's childhood friend and classmate. He has a crush on Apple. He is oblivious to his surroundings and naive, so he is constantly being tricked and used by Lemon.
Kiwi, Orange's childhood friend and neighbor. She is a 15-year old tomboy who lives with her mother since her father abandoned them when Kiwi was a child. She is also Orange's classmate in the bottom class of their year. She is protective of Orange to the point of beating up people who bully him. She has a bitter rivalry with Lemon. Kiwi gets expelled instead of Orange, as a result of Lemon's plan to steal the school funds by hiding them in Orange's locker, to keep him from being framed.
Apple, Orange's love interest. She is portrayed as a pleasant girl and good student, active in extracurricular activities, and listening to music in her free time. She tends to stay out of Lemon's plans, but when she was involved in Lemon's so-called 'party', she became close to Orange and realized she has feelings for him.
Lemon, a 14-year-old girl and the main antagonist of the series. She comes from a very wealthy family and is portrayed as the stereotypical 'Glamour queen' in school. She makes people's life miserable, especially other students who questions her 'authority'. She regards Orange as her pet because of his naivety, and used him as a tool to make others' lives miserable. Kiwi opposes her, but fails in the end. Lemon targeted Apple next in an attempt to ruin her budding relationship with Orange. She is the granddaughter of the school's principal, and does not hesitate to use the relationship to her advantage.
Read more about this topic: Le Gardenie
Famous quotes containing the word characters:
“Do you set down your name in the scroll of youth, that are written down old with all the characters of age?”
—William Shakespeare (1564–1616)
“Unresolved dissonances between the characters and dispositions of the parents continue to reverberate in the nature of the child and make up the history of its inner sufferings.”
—Friedrich Nietzsche (1844–1900)
“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)