Origins
The myth of the origin of the phrase "Lavender Menace" is that it was first used in 1969 by Betty Friedan, president of NOW, to describe the threat that she believed associations with lesbianism posed to NOW and the emerging women's movement. Friedan, and some other straight feminists, worried that the association would hamstring feminists' ability to achieve serious political change, and that stereotypes of "mannish" and "man-hating" lesbians would provide an easy way to dismiss the movement. Under her direction, NOW attempted to distance itself from lesbian causes – including omitting the New York chapter of the Daughters of Bilitis from the list of sponsors of the First Congress to Unite Women in November 1969. Friedan's remarks and the decision to drop DOB from the sponsor list led lesbian feminist Rita Mae Brown to angrily resign her administrative job at NOW in February 1970 (Jay 137-138, Brownmiller 82). On March 15, 1970, straight radical feminist Susan Brownmiller quoted Friedan's remarks about the "lavender menace" and dismissed her worries as "A lavender herring, perhaps, but no clear and present danger" in a New York Times Magazine article. While NOW did eventually use "Lavender Menace" as a negative term for lesbianism, it originated as a positive term claimed by lesbian feminists.
Brownmiller later said that when she wrote the article, she had intended to use a humorous quip to distance herself from Friedan's homophobia (Jay 140, Brownmiller 82), but some lesbian feminists (especially Michela Griffo) took her remarks as "a scathing put-down" (Brownmiller 82) and "evidence of Susan's homophobia or closet homosexuality--that is, that she was trying to distance herself from lesbians by insulting us" (Jay 140)—because they felt that the quip dismissed lesbians as an insignificant part of the movement, or lesbian issues as unnecessary distractions from the important issues.
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Famous quotes containing the word origins:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Grown onto every inch of plate, except
Where the hinges let it move, were living things,
Barnacles, mussels, water weeds—and one
Blue bit of polished glass, glued there by time:
The origins of art.”
—Howard Moss (b. 1922)
“The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf.”
—Lewis Mumford (1895–1990)