Broadway
Beechman made her Broadway debut in the original Broadway cast of Annie. She played various roles, most notably "Star to Be," a role which was written for her after the creative team heard her powerful voice, and she is credited in the original Broadway cast recording.
She played the lead role of the Narrator in the original Broadway cast of Joseph and the Amazing Technicolor Dreamcoat during its first Broadway production in 1982, earning a Tony Award nomination for Best Actress (Featured Role - Musical) and a Theatre World Award.
In December 1983, Beechman headed the First National Company of Cats as "Grizabella, The Glamour Cat" when the tour opened in Boston. Within four months, she assumed the role on Broadway, replacing Tony winner Betty Buckley. Belting out the show's hit song "Memory", Beechman stayed with the show for more than four years and made occasional return engagements over the next decade.
Set to take over the role of Fantine in the touring production of Les Misérables in late 1988, Beechman was diagnosed with ovarian cancer. After months of treatment, with her longtime friend Ken Gilmurray by her side, Laurie bounced back with a celebrated cabaret act at New York's legendary Ballroom. This was quickly followed by a new production of Joseph and the Amazing Technicolor Dreamcoat at the Walnut Street Theatre in Philadelphia.
In early 1990, Beechman made her long-awaited debut as Fantine in the Broadway production of Les Misérables. She stayed for several months, eventually heading out on tour where she finally played the role in Philadelphia during the Christmas season of 1990. During this time, her self-produced solo recording, Listen To My Heart, was released to great acclaim. The following fall she celebrated regaining her health after fighting off a recurrence of her cancer by, as she put it, "throwing myself a nightclub act," returning once again to the Ballroom.
Read more about this topic: Laurie Beechman
Famous quotes containing the word broadway:
“... here hundreds sit and play Bingo; here the bright lights of Broadway burn through a sea haze; here Somebodies tumble over other Somebodies and over Nobodies as well.”
—For the State of New Jersey, U.S. public relief program (1935-1943)
“The name of the town isn’t important. It’s the one that’s just twenty-eight minutes from the big city. Twenty-three if you catch the morning express. It’s on a river and it’s got houses and stores and churches. And a main street. Nothing fancy like Broadway or Market, just plain Broadway. Drug, dry good, shoes. Those horrible little chain stores that breed like rabbits.”
—Joseph L. Mankiewicz (1909–1993)
“We all know that the theater and every play that comes to Broadway have within themselves, like the human being, the seed of self-destruction and the certainty of death. The thing is to see how long the theater, the play, and the human being can last in spite of themselves.”
—James Thurber (1894–1961)