Laurence Olivier Award For Best Performance in A Supporting Role in A Musical

See Olivier Awards for more information about the awards and a full list of categories and winners.

The Laurence Olivier Awards are a series of awards presented annually by The Society of London Theatre. They are presented in recognition of achievements in commercial British theatre, most notably plays and musicals in the West End of London, an area commonly referred to as "Theatreland". The awards were established as the Society of West End Theatre Awards in 1976 and, in 1984 they we renamed in honour of the renowned British actor Sir Laurence Olivier. The Olivier Awards are the most prestigious theatrical awards in the United Kingdom and are the UK equivalent of the Tony Awards.

Unlike the Tonys, the Oliviers do not honour supporting musical performances separately. Therefore, this category is a unisex category, honoring both male and female actors.

Famous quotes containing the words laurence, award, performance, supporting, role and/or musical:

    Is there no hope for me? Is there no way
    That I may sight and check that speeding bark
    Which out of sight and sound is passing, passing?
    —Paul Laurence Dunbar (1872–1906)

    The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.
    Robert Graves (1895–1985)

    The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.
    Viola Spolin (b. 1911)

    There would be no supporting life were we to feel quite as poignantly for others as we do for ourselves.
    Samuel Richardson (1689–1761)

    Scholars who become politicians are usually assigned the comic role of having to be the good conscience of state policy.
    Friedrich Nietzsche (1844–1900)

    Fifty million Frenchmen can’t be wrong.
    —Anonymous. Popular saying.

    Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.