Novels
Her first novel, Kissing Kate, was released in 2004. Her middle-grade novel, Eleven, came out 2004, and Twelve came out in 2007. Myracle published The Fashion Disaster that Changed My Life in 2005. Thirteen was released in March 2008. She recently also came out with the book Thirteen Plus One in 2010. She also wrote Rhymes with Witches and Bliss, which came out in 2008, is its prequel. She also has a book entitled How to Be Bad with E. Lockhart.
The Internet Girls series, ttyl (talk to you later), ttfn (ta ta for now), l8r, g8r (later, gator)) are about 3 friends—Zoe, Maddie, and Angela—who experience typical high school drama: boys, drugs, alcohol, parties, driving, and college prep. The novels ttyl and ttfn were both New York Times bestsellers, and ttyl was the first-ever novel to be written entirely in instant messages. Most of Myracle's novels take place in Atlanta, Georgia and are inspired by her childhood friends and experiences, and her large diverse family.
Her latest work (as of November, 2011) Shine is set in rural western North Carolina and deals with a young girl's search for the perpetrators of a hate crime against her gay friend.
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Famous quotes containing the word novels:
“The light that radiates from the great novels time can never dim, for human existence is perpetually being forgotten by man and thus the novelists’ discoveries, however old they may be, will never cease to astonish.”
—Milan Kundera (b. 1929)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)