Early Acting Career
Born as Laura LaPlant, La Plante made her acting debut at the age of 15, and in 1923 was named as one of the years WAMPAS Baby Stars. During the 1920s she appeared in more than sixty films. Among her early film appearances were Big Town Round-Up (1921), with cowboy star Tom Mix, and the serials Perils of the Yukon (1922) and Around the World in Eighteen Days (1923).
The majority of her films (i.e. from 1921 to 1930) were made for Universal Pictures. During this period she was the studio's most popular star, "an accomplishment duplicated only by Deanna Durbin years later." One of her earliest surviving films is Smouldering Fires (1925) directed by Clarence Brown and costarring Pauline Frederick. Her best remembered film is arguably the silent classic The Cat and the Canary (1927), although she also achieved acclaim for Skinner's Dress Suit (1926), with Reginald Denny, the part-talkie The Love Trap (1929), directed by William Wyler, and the 1929 part-talkie film version of Show Boat (1929), adapted from the novel of the same name by Edna Ferber.
Although this last film was an adaptation of the novel, and not of the famous musical play that the novel was based on, some songs from the play were tossed into the film as box-office insurance. She did not actually sing in the movie; her singing was dubbed by Eva Olivetti, one of the first instances in which this was done in a motion picture. A scene of La Plante in Show Boat was broadcast on early British television.
Read more about this topic: Laura La Plante
Famous quotes containing the words early, acting and/or career:
“Progress would not have been the rarity it is if the early food had not been the late poison.”
—Walter Bagehot (18261877)
“If I were a woman, I would never trust men who say they are feminists. Either they are acting out of guilt, trying to establish credentials, or they think they might be able to pick up more girls. If I were a woman, I would say, go away and have your first period. Then come back and tell me you are a feminist.”
—David Thomas (b. 1959)
“Whether lawyer, politician or executive, the American who knows whats good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)