Last Friends - Creation and Conception

Creation and Conception

Juri Ueno and Masami Nagasawa were originally approached for the role of Ruka and Michiru. Asami Mizukawa was cast for the other woman character Taeko Asano planned to have in the drama. Takeru, however was a last minute addition because the producers wanted a male presence in the drama. Initially the drama, was to be only about domestic violence (DV) and gender identity disorder portrayed by Nagasawa and Ueno respectively. A character who used DV was then created.

Ueno was picked by Asano, who saw her performance in Rainbow Song. According to Asano, it was her intuition which said Ueno was perfect for the role of Ruka Kishimoto, a character with gender identity issues. Eita was cast because of his "feminine feel". Nagasawa was selected because Asano thought of her as the "smiling woman who worries".

Takeru's friendship with Ruka was in the "grey zone". Asano stated that Ueno was very enthusiastic about her role from the beginning, asking about the hairstyle and clothing when she accepted the role.

Read more about this topic:  Last Friends

Famous quotes containing the words creation and, creation and/or conception:

    For me, the principal fact of life is the free mind. For good and evil, man is a free creative spirit. This produces the very queer world we live in, a world in continuous creation and therefore continuous change and insecurity. A perpetually new and lively world, but a dangerous one, full of tragedy and injustice. A world in everlasting conflict between the new idea and the old allegiances, new arts and new inventions against the old establishment.
    Joyce Cary (1888–1957)

    The very austerity of the Brahmans is tempting to the devotional soul, as a more refined and nobler luxury. Wants so easily and gracefully satisfied seem like a more refined pleasure. Their conception of creation is peaceful as a dream.
    Henry David Thoreau (1817–1862)

    Whenever I’m asked why Southern writers particularly have a penchant for writing about freaks, I say it is because we are still able to recognize one. To be able to recognize a freak, you have to have some conception of the whole man, and in the South the general conception of man is still, in the main, theological.
    Flannery O’Connor (1925–1964)