Las Vegas Film Critics Society Award For Best Supporting Actor

The Las Vegas Film Critics Society Award for Supporting Actor is an award given by the Las Vegas Film Critics Society to honor the best supporting actor of the year.

Famous quotes containing the words vegas, film, critics, society, award, supporting and/or actor:

    Shoot, a fellow could have a pretty good weekend in Vegas with all that stuff.
    Stanley Kubrick (b. 1928)

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)

    Decadence is a difficult word to use since it has become little more than a term of abuse applied by critics to anything they do not yet understand or which seems to differ from their moral concepts.
    Ernest Hemingway (1899–1961)

    There are souls that are incurable and lost to the rest of society. Deprive them of one means of folly, they will invent ten thousand others. They will create subtler, wilder methods, methods that are absolutely DESPERATE. Nature herself is fundamentally antisocial, it is only by a usurpation of powers that the organized body of society opposes the natural inclination of humanity.
    Antonin Artaud (1896–1948)

    The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.
    Robert Graves (1895–1985)

    There would be no supporting life were we to feel quite as poignantly for others as we do for ourselves.
    Samuel Richardson (1689–1761)

    An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.
    Eleanor Robson Belmont (1878–1979)